Cry of the Raven by Morgan L. Busse

Cry of the Raven (The Ravenwood Saga, #3)

by Morgan L. Busse

Lady Selene Ravenwood has come into her full power as a dreamwalker just as the war with the Dominia Empire begins. Working with the other Great Houses, Selene and Damien use their gifts to secure the borders and save those devastated by the war. But conflict, betrayal, and hatred begin to spread between the Great Houses, destroying their unity as the empire burns a path across their lands. At the same time, Damien Maris starts to lose his ability to raise the waters, leaving the lands vulnerable to the empire's attacks.

The only one who can unite the houses and restore her husband's power is Selene Ravenwood. But it will require that she open her heart to those who have hurt her and let go of her past, despite the one who hunts her and will do anything to stop her power.

Will Selene survive? Or is she destined to fall like the dreamwalkers before her?

Reviewed by ladygrey on

3 of 5 stars

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So, in the typical fashion of war books, this is a lot of plot and less character time. A lot of skirmishes that I guess need to happen for the plot to unfold and build to the climax. But they’re not that interesting or memorable because no matter who wins or loses or dies they’re not the climax and the war is going to keep going. Some of the skirmishes matters more than others because there is an emotional investment (like Rook Castle) but even the first fire doesn’t hurt like it should. It would be more fun if characters were making choices, changing sides, discovering revelations, or things in the characters changed because of the skirmishes. Then they’d have more impact and be more fun to read.

And the secondary characters were good, Caiaphas and Taegis and Leo and Elhric and Bryren. They were interesting and developed enough even as written—they could have done something really interesting of added weight and a dynamic edge to the skirmish scenes if they were well used.

Also, ugh! I’m so sick of Selene questioning Damien in the beginning. He’s clearly in love with her. He’s said as much. He’s sacrificed his own potential for happiness to marry her. And protected her again and again. Her questioning if she can trust him is just stupid and kind of infuriating. And even when she finally gets over it she keeps bringing it back up reminding herself and the reader of it. Just be done with it already.

And she makes such a big deal for pages and pages (and throughout the book) about what happened 400 years ago. It’s betrayal but by people long dead with had no bearing on the people in the room with her. It’s so ridiculous and illogical because nobody betrayed her. Get over it.

I will grant that the classic maneuver to split apart the couple right when they need to talk and sort things out actually works. There’s the one off the few breaths of actual character connection and it isn’t some misunderstanding or running away for stupid reasons. It’s a choice and it makes sense for the plot and because of that they are back and forth, together and apart, for a lot of the book and it allows them to be both a couple and individuals with their own strengths and responsibilities.

There’s a lot of repetition, from the previous books, from this book again and again. It repeats the history of the world and these characters that we all know by now.

And even deep into act 3 when it should be all tense and exciting I found it easy to put down and leave for a day. Which says a lot about how engaged I was by the story and especially the characters in this final book. They weren’t bad there were just far from enthralling. Also it bothered me that Selene gave up, that she believed the lie. It would be one thing if she was depleted, but she bends her will and gives up, for just a moment, but it’s enough to damage my view of her.

The good thing is that the characters and world are strong enough that I didn’t dislike this book. I was just disappointed because it could have been really fantastic.

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Reading updates

  • Started reading
  • 9 April, 2020: Finished reading
  • 9 April, 2020: Reviewed