Reviewed by Kelly on
There's one aspect of Alexandra Bracken's releases that you can rely on, it'll take you twice as long as any other book to read. It's not the page count, but rather how much is packed into one storyline to lure readers into her world. Readers are introduced to Etta and Nicholas almost within the same breath. Etta is thrown into his world upon the Challenger and it soon becomes apparent that she's not on board of her own free will. Her mother is missing and she leaves behind her violin instructor, a woman she cares more of the welfare of than her own mother. On paper, Etta is your typical young adult heroine but imagined, she's so much more. She's strong, feisty and adaptable which doesn't sit well with her new peers upon the ship. But unfortunately she's also not all that likable.
Nicholas is a young man that pines for freedom. Bought by the ships captain and rescued from a life of slavery, the colour of his skin within the era means he'll always be the target of prejudice. Sailing is all he's ever known. I felt for Nicholas, he was confident in his abilities but doesn't seem to have the fight against his oppressors. Until Etta shows him compassion. The voyage to New York City where Etta is to be delivered to his employer was slowly paced and often lulled in places. It took quite a few chapters for me to immerse myself and I was tempted to skim ahead. Once Etta and Nicholas struck up a tentative friendship, the storyline flowed but unfortunately a little on the side of being dull.
Sophia is responsible for the position Etta finds herself in. She shares a connection to Nicholas, but is headstrong and determined to work her way into a position of power despite the oppression of woman and people of colour during her time. I loved the diversity. It wasn't added as an afterthought but felt as though it had been well researched and true not only to the era, but also the character development. That feeling of being worthless and knowing that even determination seems hopeless. To hope, to dream of a life that is free from prejudice. Etta introduces both Nicholas and Sophia to the concept of equality for women and people of colour, a future neither character could have imagined. The forbidden romance was barely there at times, but still lovely in places, but sadly I didn't feel a genuine connection between the two.
He would not surrender to the disaster of loving her.
What surprised me most was how lyrical the writing was in bursts, especially from Nicholas' point of view. It added a romanticism and softness to a storyline that needed a warmth and likability. The first half felt slightly underwhelming, too much information squeezed into a storyline that offered very little fanfare, but then slowly the action adventure starts to emerge. The real challenge for readers will be to read through the initial storyline to find the crux of the action.
Although drawn out in the beginning, Passenger feels a true to the era historical science fiction based on time travel elements. Feisty female characters with a mutual respect for one another, seeking power and freedom from the oppression of 1776. A cast of diverse characters who are multilayered, but unfortunately disconnected. I couldn't grasp the connection as to why Etta was explored as a music prodigy only to go on a time travelling adventure. It felt unnecessarily drawn out and the storyline could have been condensed into an exciting read, that has sadly fell a little short despite the hype.
Reading updates
- Started reading
- 27 January, 2016: Finished reading
- 27 January, 2016: Reviewed