Reviewed by Lianne on
Suffice to say the opening scene really grabbed my attention and left me curious to know more about Nora and Lee, what brought them into each other’s social cirlces, and what drove them apart. I really felt for Nora and everything that happened to her throughout this novel. She’s surrounded by artists embroiled in varying degrees of self-importance/self-indulgence/artistic angst/submerged in their craft but she's very reliable, very solid, and keeps the other characters grounded. She’s also strong too, from her mother’s treatment of her growing up, Jamie’s actions, Lee’s actions, the Second World War. Despite of everything, she still loves France and she still perseveres.
Lee is just as complex a character, surviving a childhood trauma and emerging a celebrated photographer. It can easy to write her off as careless and living in the moment, for a good time, but there’s so much more to her character that Nora catches glimpses of. She’s such a contrast to Nora and yet you can see why their relationship worked the way it did.
I love the Paris setting, that sense of possibility and all of the art that surrounded Nora’s life during her time there and in their company. I loved her scenes with Pablo Picasso. I was honestly surprised at how much the book looked in on Nora’s life during the war and surviving in southern France, I thought there would’ve been a time jump to the post-war period and running into Lee. Nonetheless it was interesting, and presents the complexity that was living during war and immediately after the war with the way people behaved, good and bad.
In the end I really enjoyed reading The Beautiful American. Readers of historical fiction will want to check out this novel!
Reading updates
- Started reading
- 26 March, 2015: Finished reading
- 26 March, 2015: Reviewed