Room by Emma Donoghue

Room

by Emma Donoghue

It's Jack's birthday, and he's excited about turning five. Jack lives with his Ma in Room, which has a locked door and a skylight, and measures 11 feet by 11 feet. He loves watching TV, and the cartoon characters he calls friends, but he knows that nothing he sees on screen is truly real only him, Ma and the things in Room. Until the day Ma admits that there's a world outside ...Told in Jack's voice, Room is the story of a mother and son whose love lets them survive the impossible. Unsentimental and sometimes funny, devastating yet uplifting, Room is a novel like no other. 'Emma Donoghue's writing is superb alchemy, changing innocence into horror and horror into tenderness. Room is a book to read in one sitting. When it's over you look up: the world looks the same but you are somehow different and that feeling lingers for days' Audrey Niffenegger 'Room is one of the most profoundly affecting books I've read in a long time. Jack moved me greatly. His voice, his story, his innocence, his love for Ma combine to create something very unusual and, I think, something very important ...Room deserves to reach the widest possible audience' John Boyne 'I loved Room.
Such incredible imagination, and dazzling use of language. And with all this, an entirely credible, endearing little boy. It's unlike anything I've ever read before' Anita Shreve

Reviewed by teachergorman on

5 of 5 stars

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This is an unconventional form of a review, but Room is an unconventional novel, and my hope is that this will reach Ms. Donoghue’s attention someday, hopefully on a bad day when she needs a pick-me-up.

Dear Ms. Donoghue,
I just finished reading Room, and it made me want to tell you a story. Once upon a time, when I was a sophomore in college, one of my creative writing profs, Vic Bobb, a talented author and innately gifted storyteller, recommended Nabokov's Lolita. He warned me that, when I finished it, I would feel a kind of despair specific to writers. “You’ll realize you’ll never write anything that good.” When I finished it, I was old enough to know I didn’t have the ability to write a book that good at the time, but I was still young and arrogant enough to believe I could one day.

That was twenty years ago. I’ve retained some of that ambition. Maybe twenty years from now I will accept my limitations, but I’m still foolhardy enough to believe my next novel will be better than my last. In fact, I think the one I’m working on now will be pretty damned good. But I’ve read other novels like Lolita where I closed the back cover and understood the kind of despair Bobb was talking about.

When I finished Room, the first thing I did was laugh out loud, a strange, barking, triumphant laugh, while my eyes filled with tears. I was still in the story at that moment, not reflecting upon it, and in that space I could feel I’d experienced a great artistic victory. And then I was immediately reminded of Vic Bobb’s warning about Lolita. I will never write anything as good as Room. I know you don’t know who I am, so this must seem like a low bar, but please know that your hard work earns this kind of response from lesser writers engaged in your craft. I don’t begrudge you that for an instant; I’m grateful you have elevated the form.

Next year, I will teach Room to 17 and 18 year-olds in my creative writing classes. I expect some of them will have the same response to Room that I did to Lolita. “Maybe someday,” they’ll think. And it’s possible one of them will be correct; maybe one day a student of mine will write a book that rises to the level of Room. I hope so. And I thank you.

Thank you.

Thank you,

Benjamin Gorman

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  • 19 April, 2018: Reviewed