The Fourteenth Letter by Claire Evans

The Fourteenth Letter

by Claire Evans

"If you enjoyed Kate Mosse's Labyrinth or Jessie Burton's The Miniaturist, the chances are you're going to love this new thriller."
Hello Magazine

A mysterious keepsake, a murdered bride, a legacy of secrets...

One balmy June evening in 1881, Phoebe Stanbury stands before the guests at her engagement party: this is her moment, when she will join the renowned Raycraft family and ascend to polite society.

As she takes her fiancé's hand, a stranger holding a knife steps forward and ends the poor girl's life. Amid the chaos, he turns to her aristocratic groom and mouths: 'I promised I would save you.'

The following morning, just a few miles away, timid young legal clerk William Lamb meets a reclusive client. He finds the old man terrified and in desperate need of aid: William must keep safe a small casket of yellowing papers, and deliver an enigmatic message: The Finder knows.

With its labyrinth of unfolding secrets, Claire Evans' riveting debut will be adored by fans of Kate Mosse, Carlos Ruiz Zafon and Jessie Burton.

Reviewed by pamela on

4 of 5 stars

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No one was more surprised by my enjoyment of Claire Evans’ The Fourteenth Letter than me.  It looked like the kind of book I would enjoy as a fun distraction, but nothing more.  And I was sorely in need of a fun distraction.

The Fourteenth Letter opens with a grisly murder.  What follows is an historical mystery with a classical twist, blending old world British Gothic with new world American ingenuity.  It was a book about madness, privilege and eugenics, and while it didn’t keep me guessing through the whole reading experience, it definitely swept me along for the ride.

I was impressed with Evans’ characterisation.  Her characters were deeply flawed, mysterious, but personable.  Their experiences created a sense of real personal growth.  The William Lamb of the end of the novel was virtually unrecognisable from the character we’d met at the beginning, but his growth and development were so natural that it really gave his character depth.  Savannah Shelton, the American gunslinger as well, was introduced as a rough and hardened criminal.  Even she proved to have real depth, while Evans’ masterfully omitted the details of her erstwhile crimes, leaving the reader to judge the character on her personality and deeds through the novel rather than her sordid past.  The remaining heroes were appropriately heroic, with the generic good-guy police constable who served to move the plot at an even pace, and the villains were appropriately dark and menacing.

The pace, plotting and characterisation, however, were belied by The Fourteenth Letter’s title and branding.  The cover is more evocative of a feminine gothic family saga/romance.  There was nothing that screamed historical murder mystery.  The titular ‘Fourteenth Letter’ as well, was introduced far too late in the plot for it to have any real impact or meaning.  This was the book’s biggest letdown.  The big reveal was hardly a reveal at all, as I hadn’t even known in was an option up until that point.

All in all The Fourteenth Letter was a strong entry into the historical crime genre.  It was a fun read that was equal parts cliché and original that was just really, really enjoyable.

Read this review and more at I Blame Wizards.

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Reading updates

  • Started reading
  • 29 March, 2017: Finished reading
  • 29 March, 2017: Reviewed