Death Has Deep Roots by Michael Gilbert

Death Has Deep Roots (Inspector Hazlerigg, #5) (Scarlet Dagger Large Print Books) (A Hamlyn paperback) (British Library Crime Classics)

by Michael Gilbert

At the Central Criminal Court, an eager crowd awaits the trial of Victoria Lamartine, an active participant in the Resistance during the war. She is now employed at the Family Hotel in Soho, where Major Eric Thoseby has been found murdered. The cause of death? A stabbing reminiscent of techniques developed by the Maquisards.

While the crime is committed in England, its roots are buried in a vividly depicted wartime France. Thoseby is believed to have fathered Lamartine's child, and the prosecution insist that his death is revenge for his abandonment of Lamartine and her arrest by the Gestapo.

A last-minute change in Lamartine's defence counsel grants solicitor Nap Rumbold just eight days to prove her innocence, with the highest of stakes should he fail. The proceedings of the courtroom are interspersed with Rumbold's perilous quest for evidence, which is aided by his old wartime comrades.

Reviewed by brokentune on

2 of 5 stars

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The book started out great with a court room drama that was headed towards disaster as the defendant changed her legal advisors at the very last minute and her new barristers struggled for time to prepare a case that seemed to be a foregone conclusion. Thrilling stuff.
Unfortunately, once a little time is granted, the story changes into action mode, where we see threats, stabbings, and people digging up dirt from the past. Yep, this was so boring. I often had to flip back to a previous chapter to find out why we were where we were and what we were trying to accomplish. Seriously, this was not good.
What made the book worse was the ending. Just when I hoped we’d be able to get back to the sparkle of the first chapters, the book plunged into a diatribe on morality.
Now, I understand that this section reflected the mores of its time, or at least the mores of a certain strata middle-class England and – from what I have read – the English legal system at the time. However, as a reader I was not in the mood to put up with outright mysogyny and acceptance of double-standards that was portrayed in the story. What irked me most was that the social issues that were depicted could have been, and only a couple of decades later probably would have been!, picked up as part of the legal drama. But no. Instead of taking apart the bias toward the defendant instilled in both society inside and outside of the court room, Gilbert decided to present a pedestrian solution that seemed to have been pulled out of a hat. It was all very, very disappointing, especially because my first encounter with Gilbert’s work in Smallbone Deceased not long ago had me hope that Gilbert could be another author I would want to read more by.

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  • Started reading
  • 13 August, 2020: Finished reading
  • 13 August, 2020: Reviewed