Daughter from the Dark by Sergey and Marina Dyachenko

Daughter from the Dark

by Sergey and Marina Dyachenko

In this extraordinary stand-alone novel, the authors and translator of Vita Nostra—a "dark Harry Potter on steroids with a hefty dose of metaphysics" (award-winning author Aliette de Bodard)—return with a story about creation, music, and companionship filled with their hallmark elements of subtle magic and fantasy.

Late one night, fate brings together DJ Aspirin and ten-year-old Alyona. After he tries to save her from imminent danger, she ends up at his apartment. But in the morning sinister doubts set in. Who is Alyona? A young con artist? A plant for a nefarious blackmailer? Or perhaps a long-lost daughter Aspirin never knew existed? Whoever this mysterious girl is, she now refuses to leave.

A game of cat-and-mouse has begun.

Claiming that she is a musical prodigy, Alyona insists she must play a complicated violin piece to find her brother. Confused and wary, Aspirin knows one thing: he wants her out of his apartment and his life. Yet every attempt to get rid of her is thwarted by an unusual protector: her plush teddy bear that may just transform into a fearsome monster.

Alyona tells Aspirin that if he would just allow her do her work, she’ll leave him—and this world. He can then return to the shallow life he led before her. But as outside forces begin to coalesce, threatening to finally separate them, Aspirin makes a startling discovery about himself and this ethereal, eerie child.

Reviewed by annieb123 on

4 of 5 stars

Share
Originally published on my blog: Nonstop Reader.

Daughter from the Dark is a dark modern urban fantasy with a touch of horror by Marina & Sergey Dyachenko. First released in 2006 in Russian, this translation 11th Feb 2020 from Harper Collins is 304 pages and available in hardcover, audio, and ebook formats. It's worth noting that the ebook format has a handy interactive table of contents as well as interactive links. I've really become enamored of ebooks with interactive formats lately.

This is a difficult read to categorize. It slips between urban fantasy and horror with a weird nightmare quality that feels tense and unsettling at the same time. None of the main characters are wholly likeable including the 10 year old changeling, Alyona. She's creepy, manipulative, mad bad and dangerous. Her reluctant "rescuer" (?) DJ Aspirin is a slick ladies man, perfectly willing to use his position as a popular radio and club DJ to acquire and discard women in a series of meaningless one-night-stands and he doesn't rate his friends much higher. His entanglement with Alyona he reacts to only as it relates to him and his inconvenience. There are several scenes of physical and emotional abuse which would be more tragic except for the fact that Alyona isn't human (probably) and she doesn't seem to -have- any emotional range except inasmuch as it will get her what she wants (which is pretty diffuse from the information given in the book...she's either in this realm to find and save her brother, or kill everyone, or herself, or all of the above). There's a lot of narrative wrapped around music and a creepy vodyanoy(ish) secondary male character who is threatening and weird all at the same time.

The book is translated from the original Russian and it -really- reads like literature in translation. It feels like a -very- direct translation (and furthermore it feels like the jaggedness of the translation was entirely intentional).

I found this an odd and unsettling read. I think it would appeal to readers of edgy urban fantasy/light horror. I'm not familiar enough with Russian folklore to know if this is a modern reinterpretation of a traditional fable, but it didn't ring any specific bells for me.

Weird, disjointed, discordant, disturbing, but well written. Four stars. I am glad it's a standalone. It was a little too creepy for my taste but I did enjoy reading it.

Disclosure: I received an ARC at no cost from the author/publisher for review purposes

Last modified on

Reading updates

  • Started reading
  • Finished reading
  • 12 February, 2020: Reviewed