After Sundown by

After Sundown

NOMINATED FOR A SHIRLEY JACKSON AWARD AND BRITISH FANTASY AWARD

"This rich and masterful collection of horror highlights both up-and-coming and established authors in an interesting twist on the standard anthology [...] Highly recommended for longstanding horror fans and those readers who may not think horror is for them. There is something for everyone in this one." — Booklist

This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. It is the first of what will hopefully become an annual, non-themed horror anthology of entirely original stories, showcasing the very best short fiction that the genre has to offer.

Contents List:

BUTTERFLY ISLAND by C.J. Tudor

RESEARCH by Tim Lebbon

SWANSKIN by Alison Littlewood

THAT’S THE SPIRIT by Sarah Lotz

GAVE by Michael Bailey

WHEREVER YOU LOOK by Ramsey Campbell

SAME TIME NEXT YEAR by Angela Slatter

MINE SEVEN by Elana Gomel

IT DOESN’T FEEL RIGHT by Michael Marshall Smith

CREEPING IVY by Laura Purcell

LAST RITES FOR THE FOURTH WORLD by Rick Cross

WE ALL COME HOME by Simon Bestwick

THE IMPORTANCE OF ORAL HYGIENE by Robert Shearman

BOKEH by Thana Niveau

MURDER BOARD by Grady Hendrix

ALICE’S REBELLION by John Langan

THE MIRROR HOUSE by Jonathan Robbins Leon

THE NAUGHTY STEP by Stephen Volk

A HOTEL IN GERMANY by Catriona Ward

BRANCH LINE by Paul Finch

FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.

Reviewed by Inkslinger on

4 of 5 stars

Share

'After Sundown,' edited by Mark Morris, is a new horror anthology out on Flame Tree Press.  

 

Specifically in the horror field, I've always been a big fan of anthologies. Over the years, I've discovered some of my favorite horror writers this way because they have a limited time to hook me and deliver and I've found if they can do that in this format, it's almost a sure thing in novels later on.

 

Of the 20 original horror stories included, 16 of them were commissioned from some of the top names in the horror genre. The cool thing about this anthology, which will hopefully be an annual non-themed horror anthology release, is 4 of those 20 were selected from 100's of stories sent to Flame Tree during a 2-week open submissions window.

 

What a great way to discover new talent and see how well they might be received!

 

Some of the short stories, as to be expected, are just slightly unpleasant 'what if' scenarios relating to post-apocalyptic situations, experimentation, or even sort of surreal pandemic settings. All of the stories are at least good.. but there are a few that I feel are exceptional.

 

I have to start with 'Wherever You Look' by Ramsey Campbell because he's just still such a master in the field. I can't even remember how old I was when I first discovered his work.. probably 15 or so.. and it was definitely in one of those old anthologies I was about to learn to love.  

 

Campbell obviously loves to play with things that skirt the periphery of our minds. Those tricks our brains play on us when we sometimes think we get a glimpse of something out of the corner of our vision, only to turn and see nothing.. or things that are ever present, that we somehow manage to overlook until it's too late.  

 

This story is no different in that regard and it's absolutely one I will carry forward with me. Even now the concept lingers at the back of my mind. I know the experience would be terrifying and love the slow, subtle approach he uses to torment both the character and the reader.

 

'Mine Seven' by Elana Gomel is a special story, as it takes place near the Arctic Circle and explores concepts of Chukchi folklore, an indigenous people who live within the Russian Federation. Leveraging shamanic themes and a more existential horror style, though the mythos itself is far different.. it carries an almost Lovecraftian feel in the tale's atmosphere. I loved this, as I don't feel we see nearly enough diversity in the industry as a rule, and in the US at least.. we so lack exposure to the eastern storytelling styles that readers often don't even know how to process the differences.

 

'That's the Spirit' by Sarah Lotz is another really disarming story. It's incredibly well delivered with such a delicate touch of foreshadowing it's actually difficult to see. While I thought I knew what was up, I was completely wrong. She took a classic theme and still managed to surprise me with its use.

 

'It Doesn't Feel Right' by Michael Marshall Smith is a fantastically creepy read. Smith writes with such an easy humor in the initial pages that I almost forgot that I was reading horror and so with the first glimpse of something really off.. I was so alarmed by it he had me thinking of some of my favorite classic horror films. I won't name them here, because I'd hate to ruin the experience for anyone.. but it was definitely chilling.

 

Though I'm hard pressed to pick just only one more, 'Alice's Rebellion' by John Langan must be it. I love stories born of Wonderland and it intrigues me that as dark as the original tale is, new perspectives are often even darker. This story is lovingly rendered in a style suitable to follow Lewis Carroll's, though it's less whimsical, it's just as wild. Yet, at the same time, one can't help but see the presentation of our modern world often in very literal, specific ways, throughout. It's a favorite, for certain.

 

If you like horror and anthologies at all.. do yourself a favor and pick this book up. It's actually probably the best collection I've read all year.. and there are plenty of gems inside. Plus, I'd love to see it get the support it needs to become that annual release they're hoping for.

 

(More reviews like this at Betwixt The Sheets.)

(I received this title as an ARC. All opinions are mine and freely given.)

Last modified on

Reading updates

  • 19 October, 2020: Started reading
  • 21 October, 2020: on page 0 out of 304 0%
  • 20 October, 2020: Finished reading
  • 21 October, 2020: Reviewed