The Murder Complex by Lindsay Cummings

The Murder Complex (Murder Complex, #1)

by Lindsay Cummings

An action-packed, blood-soaked, futuristic debut thriller-set in a world where the murder rate is higher than the birthrate-by Lindsay Cummings, co-author (with Sasha Alsberg) of the New York Times #1 Bestseller Zenith. "Legend meets La Femme Nikita in this dark and dangerous bloody thriller. The nonstop action of The Murder Complex kept us guessing at every twist and turn. It's a must for fans of action-packed dystopians like The Hunger Games and Divergent."-Justine Magazine Meadow Woodson, a fifteen-year-old girl who has been trained by her father to fight, to kill, and to survive in any situation, lives with her family on a houseboat in Florida. The state is controlled by The Murder Complex, an organization that tracks the population with precision. The plot starts to thicken when Meadow meets Zephyr James, who is-although he doesn't know it-one of the MC's programmed assassins. Is their meeting a coincidence? Destiny? Or part of a terrifying strategy? And will Zephyr keep Meadow from discovering the haunting truth about her family? Action-packed, blood-soaked, and chilling, this is a dark and compelling debut novel by Lindsay Cummings.

Reviewed by celinenyx on

4 of 5 stars

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The Murder Complex is a novel in the tradition of Divergent, which combines a bleak dystopian setting with constant action and fighting.

Meadow has been taught to fight, to kill, and to survive. Life is gruesome in the Shallows, and people will do everything for a few credits. The Initiative keeps everyone in line, but doesn't put a stop to the hundreds of murders that happen every night. Meadow meets Zephyr, a Ward, a nobody, that somehow is important to the Initiative.

There are two reactions to The Murder Complex: either people really like it, or they hate it. Of course, this is a generalisation, but I don't think I'm wrong in saying that most people that don't enjoy it are disappointed with the fact that The Murder Complex is a standard dystopian. And I don't mean this in a bad way - it's fast-paced, thrilling, enthralling and interesting. But it doesn't innovate the genre, or change its boundaries, like some other dystopian books have done. If you're tired of dystopian, this won't be the book to get you out of the slump.

The Murder Complex is one of the most violent dystopian YA books I've read so far. The Hunger Games was pretty gruesome, but most books that followed it became tamer. Books like Matched or Delirium barely have any violence at all. The Murder Complex goes back to its roots, and doesn't hide the fact that both main characters can kill without second thought. There is a lot of blood and plenty of dead bodies.

I liked that the main characters Meadow and Zephyr are slightly... broken. They don't always act rationally, and that's exactly how I think someone would cope in a world like the one they live in. They have a single-mindedness, a tunnel-vision, that helps them survive. For Meadow it's protecting her family, for Zephyr it's staying alive for his best friend Talan.

There is no denying that Zephyr and Meadow have some kind of odd instalove. It didn't bother me much to be honest. In the world they live in there is no time to go on dates. You can't go to the movies or cuddle on the couch. It's kill or be killed - and if you can find love, you grab it with both hands and won't let go. Some of the prose accompanied by the instalove made me cringe a bit, but the idea behind it I don't mind.

In regards to the world-building, I think the author opted for fast pace over information. There is enough world-building in the background to make it interesting and to make it believable, but it's nothing like the detailed and thought-out world that a writer like Mira Grant creates in all her books. There was enough world-building to satisfy me - but it might not be enough for other readers.

Compared to many of the other popular dystopians out there, I think The Murder Complex keeps its own. It makes more sense than Matched, handles romance better than Wither, and is more fast paced than Delirium. All I can hope for is that Ms Cummings doesn't pull an Allegiant* in the rest of the series.


* Pulling an Allegiant: introducing distracting side plots in the final book that have nothing to do with the rest of the series. Also known as "bitten off more than (s)he can chew" world-building wise

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  • Started reading
  • 16 June, 2014: Finished reading
  • 16 June, 2014: Reviewed