The Third Man by

The Third Man

Rollo Martins' usual line is the writing of cheap paperback Westerns under the name of Buck Dexter. But when his old friend Harry Lime invites him to Vienna, he jumps at the chance. With exactly five pounds in his pocket, he arrives only just in time to make it to his friend's funeral. The victim of an apparently banal street accident, the late Mr. Lime, it seems, had been the focus of a criminal investigation, suspected of nothing less than being "the worst racketeer who ever made a dirty living in this city." Martins is determined to clear his friend's name, and begins an investigation of his own...

Reviewed by brokentune on

3 of 5 stars

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I have tried to watch The Third Man more times than I care to remember. Tried and failed. I know it is considered a classic but the only effect it ever had on me was to put me to sleep.

As part of my self-imposed Greene-land challenge, this is one of the two books that I have looked forward to least. The other, btw, is Greene's other cinematic "classic" Brighton Rock.

So, there I was starting The Third Man having made a huge pot of coffee in full expectation that slumber would befall me at anytime.

And what happens? Greene brings to life the dreariness of post-war Vienna much more effectively on page than the film ever could in moving images. Who'd have thought it?!

"I never knew Vienna between the wars, and I am too young to remember the old Vienna with its Strauss music and its bogus easy charm; to me it is simply a city of undignified ruins which turned that February into great glaciers of snow and ice. The Danube was a grey flat muddy river a long way off across the Second Bezirk , the Russian zone where the Prater lay smashed and desolate and full of weeds, only the Great Wheel revolving slowly over the foundations of merry-go-rounds like abandoned millstones, the rusting iron of smashed tanks which nobody had cleared away, the frost-nipped weeds where the snow was thin. I haven’t enough imagination to picture it as it had once been, any more than I can picture Sacher’s Hotel as other than a transit hotel for English officers or see the Kärntnerstrasse as a fashionable shopping street instead of a street which exists, most of it, only at eye level, repaired up to the first storey. A Russian soldier in a fur cap goes by with a rifle over his shoulder, a few tarts cluster round the American Information Office, and men in overcoats sip ersatz coffee in the windows of the Old Vienna."

The other aspect I enjoyed about The Third Man was that this wasn't so much of a thriller which was meant to be taken seriously anymore. Greene found his touch as a writer of political spoofs - only later to be surpassed of course by Our Man in Havanna.

"There is a lot of comedy in these situations if you are not directly concerned. You need a background of Central European terror, of a father who belonged to a losing side, of house -searches and disappearances, before the fear outweighs the comedy. The Russian, you see, refused to leave the room while Anna dressed: the Englishman refused to remain in the room: the American wouldn’t leave a girl unprotected with a Russian soldier, and the Frenchman – well, I think the Frenchman must have thought it was fun. Can’t you imagine the scene? The Russian was just doing his duty and watched the girl all the time, without a flicker of sexual interest; the American stood with his back chivalrously turned, but aware, I am sure, of every movement; the Frenchman smoked his cigarette and watched with detached amusement the reflection of the girl dressing in the mirror of the wardrobe; and the Englishman stood in the passage wondering what to do next."



Review originally posted on BookLikes: http://brokentune.booklikes.com/post/1009421/the-third-man

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  • Started reading
  • 28 September, 2014: Finished reading
  • 28 September, 2014: Reviewed