Winner of the 2018 Michael L. Printz Award — An achingly beautiful novel about grief and the enduring power of friendship.
“Short, poetic and gorgeously written.” —The New York Times Book Review
“A beautiful, devastating piece of art." —Bookpage
You go through life thinking there’s so much you need. . . . Until you leave with only your phone, your wallet, and a picture of your mother. Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.
An intimate whisper that packs an indelible punch, We Are Okay is Nina LaCour at her finest. This gorgeously crafted and achingly honest portrayal of grief will leave you urgent to reach across any distance to reconnect with the people you love.
Praise for We Are Okay
“Nina LaCour treats her emotions so beautifully and with such empathy.” —Bustle
★ “Exquisite.” —Kirkus
★ “LaCour paints a captivating depiction of loss, bewilderment, and emotional paralysis . . . raw and beautiful.” —Booklist
★ “A moving portrait of a girl struggling to rebound after everything she’s known has been thrown into disarray.” —Publishers Weekly
★"Bittersweet and hopeful . . . poetic and skillfully crafted." —Shelf Awareness
“So lonely and beautiful that I could hardly breathe. This is a perfect book.” —Stephanie Perkins, bestselling author of Anna and the French Kiss
“As beautiful as the best memories, as sad as the best songs, as hopeful as your best dreams.”
—Siobhan Vivian, bestselling author of The Last Boy and Girl in the World
“You can feel every peak and valley of Marin’s emotional journey on your skin, in your gut. Beautifully written, heartfelt, and deeply real.” —Adi Alsaid, author of Never Always Sometimes and Let’s Get Lost
The snow continues to fall in New York City, washing the landscape in flutters while students prepare to journey home for the holiday season. Except Marin Delaney, a permanent dormitory resident since the death of her grandfather, the man who raised her after the passing of her mother. Marin has escaped her hometown in San Francisco for the anonymity of New York, her immeasurable sorrow isolating her from her hometown and her best friend Mabel. Mabel is now travelling to New York and after months of avoidance, Marin will need to confront her past, her isolation and the revelations of the death of her grandfather.
Marin's anguish is palpable as she grieves not only for her grandfather but for the life she has left behind. After her mother passed in a tragic drowning accident, Marin has lived with her grandfather in their small, San Francisco beachside home. Marin's relationship with her grandfather was wonderfully gentle and considerate and although residing within the same home, both lived separate lives. Her grandfather enjoyed using moments throughout their day as teaching moments, instilling important wisdom upon Marin, preparing her for the challenges of attending university and becoming an independent young woman.
Marin and her grandfather shared an unspoken agreement as not to encroach on the others personal space, Marin not entering his study or bedroom and her grandfather, allowing Marin the privacy of her bedroom. As Marin gained her independence, her grandfather became increasingly isolated within his study and Marin, grief stricken long before her grandfather passed. The once sprightly elderly gentleman is sustained by his correspondence with the mysterious Birdie, a woman that has captivated his attention and as Marin matures, she observes his health deteriorating.
We observe as Marin and Mabel's friendship transformed from friends to tentative lovers, exploring their sexuality and the new parameters of their relationship. As Mabel visits New York, Marin is confronted as to why she left San Francisco behind. The tenderness between the two young women is beautiful and although they've been separated from one another, Mabel is a wonderful friend who is determined to remain a part of Marin's life.
Throughout the narration, Marin's sorrow becomes a tangible element and arbours resentment towards the man who raised her, perpetuated by the isolating, wintry landscape. We Are Okay is a gentle narrative of bereavement and isolation, of solidarity that's encompassed by a quiet artistry that's rarely seen in young adult literature. Simply exquisite.
