The Four-Dimensional Human by Laurence Scott

The Four-Dimensional Human

by Laurence Scott

SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE FOR NON-FICTION 2015

WINNER OF THE JERWOOD PRIZE

'Mercurially brilliant' Will Self

'A richly complex portayal of the ways we live today' TLS

'A delightfully tender and humane guide to transformations that might amaze Ovid and new forms of nostalgia to rival Proust' Alexandra Harris

'Entertaining and insightful' Sunday Times

'Elegant and artful' Financial Times

A constellation of everyday digital phenomena is rewiring our inner lives. We are increasingly coaxed from the three-dimensional containment of our pre-digital selves into a wonderful and eerie fourth dimension, a world of ceaseless communication, instant information and global connection.

Our portals to this new world have been wedged open, and the silhouette of a figure is slowly taking shape. But what does it feel like to be four-dimensional? How do digital technologies influence the rhythms of our thoughts, the style and tilt of our consciousness? What new sensitivities and sensibilities are emerging with our exposure to the delights, sorrows and anxieties of a networked world? And how do we live in public, with these recoded private lives?

Tackling ideas of time, space, friendship, commerce, pursuit and escape, and moving from Hamlet to the ghosts of social media, from Seinfeld to the fall of Gaddafi, from Facebook politics to Oedipus, The Four-Dimensional Human is a highly original and pioneering portrait of life in a digital landscape.

Reviewed by celinenyx on

5 of 5 stars

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The Four-Dimensional Human invites us to think about how digitization has changed our lives. It's not a book about dooms-day warnings of how technology will ruin us, but rather, gently nudges us to think about what it means to be connected to the cloud at all times. What does it mean for our sense of a body, when we are constantly "bodiless" on the net? What meanings do space and place have, when I can be where you are with the click of a button or a swipe on a screen?

Scott's writing style combines a strong background in literature with metaphorical language and anecdotes into a narrative that is engaging, witty, and recognizable. It's not an academic work, nor is it, in my opinion, truly a work of "popular non-fiction". It's straddled somewhere in between, in a comfortable and confident way.

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Reading updates

  • Started reading
  • 3 July, 2016: Finished reading
  • 3 July, 2016: Reviewed