An American Marriage by Tayari Jones

An American Marriage

by Tayari Jones

Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn't commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy's time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy's conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.

Reviewed by gmcgregor on

4 of 5 stars

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The question of what marriage means, what it binds you to and entitles you to, is probably the most fundamental one at issue in Tayari Jones' An American Marriage. It's not the only one, though. The book follows Roy and Celestial, a young black couple married about a year and a half when we first meet them. Their future seems so bright: he's a promising marketing executive, she's an artist beginning to find success with her doll-making. They're thinking about having a baby soon when they leave their home in Atlanta and drive to rural Louisiana to spend the weekend with Roy's parents. Celestial has a bad feeling, but they write it off to nerves. It is the first night they're there that their whole world changes.

Roy is accused of raping a white woman, and even though he's innocent, he's sentenced to 12 years. They immediately appeal, but of course appeals take time, and while that process is ongoing Roy's continued imprisonment leaves both of them uprooted. After five years, the appeal is ultimately successful, but that time has left both Roy and Celestial different people, and they can't just pick up where they left off.

Any more than that about the plot probably reveals more than would be preferable...this is a book that's best to savor as it reveals itself to you (and usually I'm pretty pro-spoiler, but this does really feel like an exception). The truth is that there's not a lot of "plot" per se, but there's enough, and the work that Jones does with character and the way she uses those characters to poke at our understanding of powerful themes like marriage, and family more broadly, are brilliant. The instinct to find a "good guy" and a "bad guy", when two people are in conflict, is so strong, but Jones refuses us that easy perspective. They're both the bad guy. They're both the good guy. They're both people who've spent the last five years suffering, and trying to deal with that suffering, in their own ways.

While there is a lot to really like here and this is definitely a good book, I'll be honest: it never quite crossed that line from good into great for me. I got more out of pondering it after I finished it than I got out of reading it, if that makes sense. And also, I had a small qualm with a writing choice Jones made: while the book is primarily told from the perspectives of Roy and Celestial, there's a third person who also gets point-of-view chapters. This person is important to the narrative and it wasn't that those portions were inferior or anything, but I would have preferred that the focus remained on the central couple exclusively. That being said, this is still a book that is well-worth your time and energy, and I'd recommend it to all readers.

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  • Started reading
  • 23 January, 2018: Finished reading
  • 23 January, 2018: Reviewed