Halfway to the Grave by Jeaniene Frost

Halfway to the Grave (Night Huntress, #1)

by Jeaniene Frost

Half-vampire Catherine Crawfield is going after the undead with a vengeance, hoping that one of those deadbeats is her father - the guy responsible for ruining her mother's life.

But when she's captured by Bones, a bounty hunter and a vampire, she finds herself forced into an unholy partnership.

In exchange for his help in finding her father, and still astonished she hasn't ended up as his dinner, Cat agrees to train with the sexy night stalker until her battle reflexes are as sharp as his fangs. But that's not all Bones has to show her - Cat's starting to believe maybe vampires aren't all evil after all, especially ones as cute as Bones. She's half-convinced that being half-dead doesn't have to be all bad.

But before she can enjoy her newfound status as confident kick-ass demon hunter Cat finds herself, and Bones, hotly pursued by a band of killers. She's is going to have to pick a side - and fast ...

Reviewed by celinenyx on

1 of 5 stars

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Although Halfway to the Grave is one of the highest-recommended paranormal series out there, its incessant slut-shaming does not stand the test of time.

Catherine is a rare creature: a half-vampire, half-human twenty-two year old. She has sworn to kill all vampires after one of them abused her mother. She hunts on her own, until she meets Bones: a vampire bounty hunter who might be able to give her her revenge.

Halfway to the Grave sounds all right in principle, but it's highly problematic. On the level of the narrative, it has a ridiculously narrow focus. To call the book an urban fantasy requires a leap of the imagination. It is clearly a paranormal romance: the only two characters worth knowing about in the book are Cat and Bones. Although it might seem from the blurb that Cat's mom has a significant role to play, sadly, her only role is to be raped by a vampire. She pushes Cat to kill all vampires, because obviously, they all have to be evil. I would have accepted this incentive, if Cat's mom was actually a major character in the story. Instead Cat just does the thing, and her mom only shows up for two conversations during which she only reiterates that Cat has to do the vampire-killing-thing.

Nothing exists beyond Cat and Bones' banter, their training together, and just general boring 'let's kill this evil vamp dude' plot. The world-building is non-existent, and how this can grow into a decent series I have no idea.

Many reviewers call Bones swoon-worthy, a perfect gentleman, and other high praise. To me, Bones is merely fake-British. Despite throwing around some key British words (luv, bollocks, blimey) I have no idea what his accent is supposed to be. England contains dozens of highly distinct accents, and to me he sounded just like Ron Weasley. I mean, who else says blimey?!

Ladies, gentlemen, and other gentlepeople, behold this swooney guy harassing the shit out of Cat's only friend:

"Hi, Cathy!"
Timmie opened his door with a wide smile. He must have seen me through his window.
Bones gave Timmie a look that froze the smile on the younger man's face.


God, nothing makes me so hot as a ridiculously controlling and jealous man. How DARE Timmie say hi to Cat! Where is his propriety?

But wait, did you think he just glares? Oh no, he will also fucking threaten Timmie for no reason after Cat makes him apologize.

"Nice to meet you, mate, and here's some advice: Don't even think about it. You try anything with her and I'll neuter you with my bare hands."
"Leave!" I stamped my foot for emphasis.
He swept past me and then swiveled, kissing me hard on the mouth before jumping back to avoid my right hook.
"I'll see you later, Kitten."


I detest that this scene is played for laughs and is meant to be endearing. But I think this is merely emblematic of a deeper problem in the text, which is its slut-shaming. In order to seduce vampires into leaving bars to be killed, Cat dresses up in short dresses.

Didn't I look lovely? With this dress and my heavy makeup, Tara was probably thinking I must be ten shades of a slut.


This is not the only time she refers to herself in these clothes as a "slut", "easy", or other extremely problematic terms. Nor is she any better whenever Bones dares to come near a female person. This passage deserves to be quoted in full.

I just stared at her for a minute. Only in cartoons did women have such minuscule waists, big breasts, round bubble butts, and legs like that. It wasn't hard to notice her figure, either. Her dress could barely be called one, and it was so tight, it was a good thing she didn't need to breathe.
"Francesca," Bones said, going to her and giving her a kiss on the cheek. "I'm glad you've come."
And that was all I needed to see to decide right then and there that I hated her guts.
"Bones..."
She drew his name out like it was candy, and when she kissed his cheek, leaving a bright red lipstick imprint, her eyes met mine in open challenge.


I have no time for casual misogyny in my fiction. At 60% in, I'm abandoning this book.

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Trigger warnings: mention of rape, threat of rape, slut-shaming, abduction, violence, death.

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  • Started reading
  • 17 October, 2018: Finished reading
  • 17 October, 2018: Reviewed