The Darkest Part of the Forest by Holly Black

The Darkest Part of the Forest

by Holly Black

NEW YORK TIMES bestselling author and co-creator of the Spiderwick Chronicles, Holly Black spins a dark, dangerous and utterly beautiful faerie tale, guaranteed to steal your heart.

Faeries. Knights. Princes. True love. Think you know how the story goes? Think again...

Near the little town of Fairfold, in the darkest part of the forest, lies a glass casket. Inside the casket lies a sleeping faerie prince that none can rouse. He's the most fascinating thing Hazel and her brother Ben have ever seen. They dream of waking him - but what happens when dreams come true? In the darkest part of the forest, you must be careful what you wish for...

Reviewed by Briana @ Pages Unbound on

2 of 5 stars

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Superficially speaking, The Darkest Part of the Forest should be a fantastic book. It is imaginative and bold, willing to talk about tough subjects like sexuality, moral culpability, and parental neglect while immersing readers into a world that is both dark and beautiful. Unfortunately, the book really only touches on most of these hard subjects, telling readers they are difficult, that the characters are struggling with them—but ultimately failing to make it seem as if the characters are truly engaged with them. There is breadth but no depth.

All the characters ostensibly have something to hide. Hazel wants to be a hero but doesn’t know how, and worries she might actually be villain. Her brother Ben has a magical gift he cannot control; he’d rather squash it and just find someone to fall madly in love with, who will take him away. Jack, a changeling, has been adopted by humans but yearns for his faerie roots. Combine this with an entire town, a plethora of adults, who know they are living on the borders of dangerous magic but refuse to acknowledge it, and things are really a mess.

However, for as much as the characters talk about their problems, ponder them, dwell and drown in them—none of them really caught my attention. On the surface, I understand I should be horrified by this town, by the murders the faeries commit and the way the townsfolk ignore them or victim blame. Yet…if no one in the world of the story, people who should be profoundly affected by murders in their town can find it in them to care or worry or grieve, it’s doubly hard for me as a reader to do it. The same is true of so many of the issues raised in the book. Hazel’s and Ben’s parents are guilty of neglect, but Hazel and Ben are over it. The abuse mainly acts as a plot point to explain why the two were allowed to roam the woods and hunt faeries as young children, not as something I’m supposed to see as a real concern. The same goes for Hazel’s and Ben’s romantic issues. The two may throw out some moving lines about how they fear trusting someone or just want someone to love, but as far as I can tell their strings of failed romances also act more as plot movers than character development. I just didn’t empathize with either of them.

And as far as plot goes, enough happens that theoretically the book should be interesting. Hazel, Ben, and Jack tromp all over town hunting monsters, a few people die, a few plot twists are thrown out. Yet, in the end, I was bored. Caring about the action really hinges on caring about the characters. The town in ostensibly in danger, but the journey is in truth about how Hazel and Ben come to find themselves. Fairfield seems small, and one gets the distinct sense that if people were really in danger, the entire town could just pack up and move. I think the faeries would be happy with that. No one would be pursued, and the story would just end.

I wish I could like this book better, but with characters that fail to seem real and a plot that didn’t really need to happen, I found the story disappointing. For those looking for stories about faeries, I recommend The Treachery of Beautiful Things.

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Reading updates

  • Started reading
  • 21 June, 2015: Finished reading
  • 21 June, 2015: Reviewed