Reviewed by inlibrisveritas on
I really enjoyed Megan Shepard’s writing style. It’s dark, gritty, and moody; you can tell this is a gothic style novel within the first page and really loved the over dark and dank nature of the tale. I also loved the details and descriptions which Shepard beautiful carves with each word. It does have a bit of slow start and build up towards the beginning but once on the island it becomes really addictive. I’ve heard several people say that it’s not that different from the original and perhaps they are right, if so I’m glad I got to this one first. There were times when the cloudy creepy nature of this book amped up that I almost didn’t want to know the answers.
Juliet is an interesting MC because while there is plenty of opportunity for her to be a typical Mary-Sue caught in the middle of something terrible she isn’t. She reacts to it, she fights back, she enjoys it and she hates it. Gothic novels tend to play with the fringes of sanity and this is no different, causing most of the characters to question if they’ve stepped over the blurry line. There is a sort of love triangle…which to be more specific it’s a love isosceles. Two sides of this triangle are very much the same but there is that one off feeling option that never quite settles right. I don’t know if the romances were quite successful but they were necessary in terms of plot.
No character is perfect in this, as event the best of the island dwellers keeps terrible secrets. Juliet’s father was incredibly horrible. He could barely manage to act the part of a father and the things he was guilty of when he was away from her are just horrific.
I’d definitely say that The Madman’s Daughter is a promising start for a gothic series. Despite the slow beginning and the kind of frustrating final page, I’m really looking forward to continuing this series.
Reading updates
- Started reading
- 20 July, 2013: Finished reading
- 20 July, 2013: Reviewed