Fallen Kingdom by Elizabeth May

Fallen Kingdom (Falconer, #3)

by Elizabeth May

The long-awaited final book in the Falconer trilogy is an imaginative tour-de-force that will thrill fans of the series. Aileana Kameron, resurrected by ancient fae magic, returns to the world she once knew with no memory of her past and with dangerous powers she struggles to control. Desperate to break the curse that pits two factions of the fae against each other in a struggle that will decide the fate of the human and fae worlds, her only hope is hidden in an ancient book guarded by the legendary Morrigan, a faery of immense power and cruelty. To save the world and the people she loves, Aileana must learn to harness her dark new powers even as they are slowly destroying her. Packed with immersive detail, action, romance, and fae lore, and publishing simultaneously in the UK, The Fallen Kingdom brings the Falconer's story to an epic and unforgettable conclusion.

Reviewed by ladygrey on

2 of 5 stars

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This is one of those books that feels like in the midst of the narrative it reveals the authors worldview. Because of the way certain ideas bleed through all three books. And it isn't a beautiful thing. It paints lies that hope and truth are dark, tragic things rather than bright and beautiful. And forgiveness is not earned - it can't be earned because nothing makes it alright, it has to be given and most of the time we can't manage to give it on our own. Not truly. But that's a conversation for another day. There's a sense of sadness in this world, even with how it all plays out, rather (mostly) expectedly I mean as soon as you say the girl is covered in ink, she's the book. And Kiaran was totally to going to die - though I thought he'd find a way to tell a lie and sacrifice his heart but then somehow it would all end up alright - because if it didn't then it'd be Allegiant and I wouldn't ever forgive it.

Like the second book, there's an unimpressive amount of repetition. And not just of what's occurred in previous books. We're reminded of something in a previous book (fair enough). And then again. And then by the way remember when that thing happened that I've already told you about twice? That level of repetition keeps it from feeling like a new story and instead it's retelling the old ones.

It's also telling old stories because a decent amount of the story is about different characters histories. It's new information that serves to cast the characters in a new light, but it isn't really a new story. It's getting to know the characters but nothing happens and nothing that we learn changes what happens in this story. It only changes how we perceive them. It's the sort of thing that isn't bad but is better suited to a second book where there's more time for that depth and those revelations to impact the story going forward in the third book.

There were new stories, sort of, in the tales that Aileana and Kiaran told of the faery king and human girl. I liked those, how they gave us more of his pov and revealed scenes with a full knowledge of that they were both thinking and feeling in them. It brought of bit of depth in otherwise concise moments and made for some of the most interesting scenes.

There's lots of abstract scenery descriptions which aren't that interesting to me. And a good deal of the story that is the characters in bed. Which I get, given their reunion. But it made the romance feel like it was consuming the plot and thereby pushing the story firmly out of YA territory and quite solidly into another genre.

Aithinne was more fun in the second book, I think. Though she's still pretty fun. And Kiaran wrestling with his darkness is pretty interesting. I wouldn't have minded more layers of that, especially after the room of mirrors. There wasn't enough aftermath of that because of how the story changed directions. Gavin seemed to pale after the first book, which was disappointing but I suppose in a romance story you don't want to eclipse anything else. And Derrick, was probably the most consistent and most fun character throughout the books. He was a vital bit of levity in a fairly dark story.

Still, I have to give it credit for ending well (or as well as possible I suppose). May spent so much of the series describing how pale and lifeless the realms became, and then thrust the characters into this world with their burdens that made even the renewed world hollow and empty. And I get why. Because our main pov character had sacrificed her heart. But then there's never a moment where May takes the time to describe the colors and life and vibrancy of what they've reclaimed. And there isn't really a sense of wonder in that final revelation, possibly because I totally saw it coming. It was good, but it wasn't enough.

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  • Started reading
  • 2 December, 2018: Finished reading
  • 2 December, 2018: Reviewed