Cold Mountain by Charles Frazier

Cold Mountain

by Charles Frazier

Cold Mountain is an extraordinary novel about a soldier's perilous journey back to his beloved at the end of the Civil War. At once a magnificent love story and a harrowing account of one man's long walk home, Cold Mountain introduces a stunning new talent in American literature.

Based on local history and family stories passed down by the author's great-great-grandfather, Cold Mountain is the tale of a wounded soldier, Inman, who walks away from the ravages of the war and back home to his prewar sweetheart, Ada. Inman's odyssey through the devastated landscape of the soon-to-be-defeated South interweaves with Ada's struggle to revive her father's farm, with the help of an intrepid young drifter named Ruby. As their long-separated lives begin to converge at the close of the war, Inman and Ada confront the vastly transformed world they've been delivered.

Charles Frazier reveals marked insight into man's relationship to the land and the dangers of solitude. He also shares with the great nineteenth century novelists a keen observation of a society undergoing change. Cold Mountain re-creates a world gone by that speaks eloquently to our time.

Reviewed by jamiereadthis on

2 of 5 stars

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To be honest here, I might not have stuck this one out had it not been set in Western NC. That’s home. It’s never not a delight to read about places and names so familiar. Faint praise with which to damn, there it is.

The way books earn high marks from me are when they are not only books I love, but when they do what they do so well I can’t imagine a way they could be improved. Where, sometimes despite actual flaws, I wouldn’t change word one, I wouldn’t have them any way other than how they are.

On that scale, this might be a negative-five. All I want to do is plead with Frazier to chop it up mercilessly. Scrap the whole first half of the book, start it about page 160. Have Inman shoot Junior at the end of that chapter, nix the flashbacks, dear God nix the limbless, lifeless love story— burn it with fire and never speak of it again— and from there focus only on the very good things: Inman’s journey up the mountain, the natives’ relationship to the land, and Ada, Ruby, and Stobrod (and Georgia boy; because I liked how he was only called Georgia boy). Stop talking about the weather. Wipe the epilogue from existence. Have one protagonist do one thing that is not nobly, flawlessly, aggravatingly virtuous. The end.

As it stands, Cold Mountain only shows promise, ultimately all the more disappointing for its determination to frustrate it. Whoever owned the book before me, though, had pressed leaves, all bright red and gold, in the back pages. I think that went further to win me over than anything.

(And, admittedly, I kept sneaking back over to read The Long Home, which only made the comparison suffer so much more.)

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  • Started reading
  • 16 June, 2012: Finished reading
  • 16 June, 2012: Reviewed