Secret Garden Artist's Edition by

Secret Garden Artist's Edition

From the publisher that brought you the hugely successful Secret Garden and Enchanted Forest - this special artist's edition features 20 beautiful, pull-out art prints for colouring in. Colouring fans of all ages will enjoy immersing themselves in a selection of the most popular artworks from the original book, now presented in a new, large-scale format for maximum colouring enjoyment.

Each detailed illustration is printed on high-quality card and can be removed easily for framing or craft projects.

Reviewed by Jo on

5 of 5 stars

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4.5 Stars.

Originally posted on Once Upon a Bookcase.

When I was offered the chance to review Secret Garden: Artist's Edition by Johanna Basford, I jumped at the chance. I had just bought  myself Enchanted Forest as I couldn't resist the beautiful illustrations, so being able to own this edition of Secret Garden too was just awesome.



What's great about this edition of Secret Garden is that it allows you to pull the pages out after you're done to frame on put on your wall. With the Basford's illustrations as gorgeous as they are, it's not hard to see why someone would want them on their wall after adding some colour. The Artist's Edition has 20 of the illustrations in the original colouring book, which have been blown up onto really good quality card. Apart from a small flower in the centre of the other side, all illustrations are one-sided.







Because of the illustrations, both in this and Enchanted Forest, I was a little weary of colouring them, in case I "ruined" the beauty that was already there, and with the quality of the card being what it is, I felt this even more. I gave it a go anyway. Inspired by the metallic gold on the cover, I decided to try colouring with my metallic pens. One great thing about the quality of the card is that it's thick enough that ink doesn't bleed through. However, my problem was I underestimated the size of the nibs on some of my pens; for some of the smaller sections, they were far too big to colour in between the lines neatly. I had already started, though, and so decided to continue, but as I'd already bodged it a little bit, it took the pressure off being too precise and neat. I know I'm just an amateur at colouring, but I think the result isn't too bad, despite it not being perfect.



However, there is a problem with how the card reacts when it gets wet; if the ink from the pens is thick, or if you're required to colour in a certain area several times - which I was, due to fading pens (which annoyed me, they were brand new) - the ink can wear at the card, and fibres start to disintegrate from the page, leaving a rough and bitty finish when you're done (see below), which I wasn't pleased about. So you might want to think about steering clear of felt tips.



Overall, beautiful illustrations and a fantastic idea. Some of them I would even consider hanging up without even adding colour, so it's a wonderful product. Just think carefully about which media you use.

Thank you to Laurence King Publishing via Midas PR for the review copy.

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Reading updates

  • Started reading
  • 29 October, 2015: Finished reading
  • 29 October, 2015: Reviewed