Reviewed by jesstheaudiobookworm on
Blood Divine was the perfect listen for August. August is that weird time of the year when summer is coming to a close and Fall is just around the corner. I love listening to Southern Gothic stories in the heat of the summer and spooky paranormal tales leading up to Halloween. Blood Divine was the ultimate crossroads for those indulgences.
My favorite thing about Blood Divine was the family angle. I love when stories give me the urge to map out a family tree. The Phipps family goes back for generations, several of which are named in the story. Understanding the family is essential to understanding the story. I just thank God there was no incest in this one. Those trees are a nightmare. Sideye: Anne Rice.
I was initially hesitant about Cooper, the protagonist, because he seemed like the love ’em and leave ’em type and there’s only so much of that I can take. Cooper’s character development was a lovely surprise. He was much more palatable after a certain officer of the law entered his life again. I became extremely emotionally invested in their relationship and loved the turn it took near the end. There was the briefest of hints of a love triangle formation, which (given the characters) I would have been more than fine with, but Howard decided to take things in a different direction. In the end, I can see that it was the wisest choice for everyone.
The secondary characters were more prominently portrayed than typical secondary characters. That is to say that they felt like much more than “sidekicks”. It almost seems as if each of them deserves a series of their own. Howard has a knack for developing distinct, individualistic characters. Any one of them could have anchored the story on their own. Because of this, I wanted more from each of them. But because there was so much action, there wasn’t a lot of time for in-depth backstories, which would have considerably slowed the pace. Howard did a fine job of giving just enough information, explicitly or implicitly (through character actions), to keep the listener up to speed. So much of these characters’ personas were shown rather than told. In the case of Blood Divine, actions really were louder than words.
Blood Divine was a very plot driven story. There was a lot going on. Howard spent his time developing the world as a whole and introducing the listener to the various species that inhabit his world. I wish there had been more focus on developing the many interesting characters, but I’ll have to be patient. There’s so much untapped potential here. Blood Divine seems like just the beginning. I can’t wait to see how Greg Howard fleshes this story out.
Narration review: As soon as I saw Gary Furlong listed as the narrator, I knew I had to hear Blood Divine. I loved Furlong’s performance in Timekeeper. Once again, I was impressed with his ability to provide such varied character distinctions. When reviewing his narration for Timekeeper, I marveled at his ability to trade his natural Irish accent for an English one. After hearing Blood Divine, I feel like Furlong is just showing off. Not only did he perform the entire story with an American accent, but he also performed much of it with a Southern accent! I was only able to catch one word that wasn’t properly pronounced: Aunt. As an Irishman, Furlong most likely had no way of knowing this, but it should be pronounced like “ant”. Don’t ask me why. Other than that, Furlong did a thoroughly convincing job. ♣︎
➜This audiobook was graciously gifted to me by its author, Greg Howard, in exchange for a review containing my honest thoughts and opinions. Thanks, Greg!
Reading updates
- Started reading
- 10 August, 2017: Finished reading
- 10 August, 2017: Reviewed