Rachel Savernake
2 total works
'Martin Edwards is a true master of British crime writing' Richard Osman
'Highly recommended, with a touch of the gothic' Ann Cleeves
How can you solve a murder before it's happened?
'This is my challenge for you,' the woman in white said. 'I want you to solve my murder.'
London, 1930s: Rachel Savernake is attending renowned artist Damaris Gethin's latest exhibition, featuring live models who pose as famous killers. But that's just the warm-up act...
Unsure why she was invited, Rachel is soon cornered by the artist who asks her a haunting favour: she wants Rachel to solve her murder. Damaris then takes to the stage set with a guillotine, the lights go out – and Damaris executes herself.
Why would Damaris take her own life? And, if she died by her own hand, what did she mean by 'solve my murder'?
There are many questions to answer, and the clues are there for those daring enough to solve them...
Rachel Savernake faces her most puzzling murder yet in this glamorous gothic mystery from the winner of the CWA Diamond Dagger. Perfect for fans of Agatha Christie and Richard Osman.
Praise for Martin Edwards:
'Martin Edwards celebrates and satirises the genre with wit and affection... He leaves you wanting more.' The Times
'Ingeniously plotted and racily told...This is Edwards on the top of his form.' Dorothy L Sayers Society Bulletin
'Martin Edwards holds his own with the best of classic crime.' Daily Mail
'Reads as if Ruth Rendell were channelling Edgar Wallace.' Mick Herron
'Highly recommended, with a touch of the gothic' Ann Cleeves
How can you solve a murder before it's happened?
'This is my challenge for you,' the woman in white said. 'I want you to solve my murder.'
London, 1930s: Rachel Savernake is attending renowned artist Damaris Gethin's latest exhibition, featuring live models who pose as famous killers. But that's just the warm-up act...
Unsure why she was invited, Rachel is soon cornered by the artist who asks her a haunting favour: she wants Rachel to solve her murder. Damaris then takes to the stage set with a guillotine, the lights go out – and Damaris executes herself.
Why would Damaris take her own life? And, if she died by her own hand, what did she mean by 'solve my murder'?
There are many questions to answer, and the clues are there for those daring enough to solve them...
Rachel Savernake faces her most puzzling murder yet in this glamorous gothic mystery from the winner of the CWA Diamond Dagger. Perfect for fans of Agatha Christie and Richard Osman.
Praise for Martin Edwards:
'Martin Edwards celebrates and satirises the genre with wit and affection... He leaves you wanting more.' The Times
'Ingeniously plotted and racily told...This is Edwards on the top of his form.' Dorothy L Sayers Society Bulletin
'Martin Edwards holds his own with the best of classic crime.' Daily Mail
'Reads as if Ruth Rendell were channelling Edgar Wallace.' Mick Herron
'Martin Edwards is a true master of British crime writing' RICHARD OSMAN
'Combines all the things I love most about crime fiction: atmospheric settings, twisty plots, intriguing characters and an unforgettable protagonist' ELLY GRIFFITHS
The first rule of murder: know your victim.
Basil Palmer has decided to murder a man called Louis Carson. There’s only one problem: he doesn’t know anything about his intended victim, not who he is or where he lives.
Basil learns that Carson owns Hemlock Bay, a resort for the wealthy and privileged. Knowing that his plan will only work if he covers his tracks, he invents a false identity and, posing as Dr Seamus Doyle, journeys to the coast plotting murder along the way.
Meanwhile Rachel Savernake buys an intriguing painting of a place called Hemlock Bay, one that she cannot get out of her head. Macabre and strange, the image shows a shape that seems to represent a dead body lying on the beach.
Convinced that there is something sinister lurking amongst the glamour of the bay, Rachel books a cottage there – where she meets a mysterious doctor called Seamus Doyle…
Praise for Martin Edwards
'Highly recommended, with a touch of the gothic.' ANN CLEEVES
'Martin Edwards celebrates and satirises the genre with wit and affection... He leaves you wanting more.' THE TIMES
'The brilliant Savernake is a fascinatingly enigmatic character.' WASHINGTON POST
'Martin Edwards holds his own with the best of classic crime.' DAILY MAIL
'Reads as if Ruth Rendell were channelling Edgar Wallace.' MICK HERRON
'Combines all the things I love most about crime fiction: atmospheric settings, twisty plots, intriguing characters and an unforgettable protagonist' ELLY GRIFFITHS
The first rule of murder: know your victim.
Basil Palmer has decided to murder a man called Louis Carson. There’s only one problem: he doesn’t know anything about his intended victim, not who he is or where he lives.
Basil learns that Carson owns Hemlock Bay, a resort for the wealthy and privileged. Knowing that his plan will only work if he covers his tracks, he invents a false identity and, posing as Dr Seamus Doyle, journeys to the coast plotting murder along the way.
Meanwhile Rachel Savernake buys an intriguing painting of a place called Hemlock Bay, one that she cannot get out of her head. Macabre and strange, the image shows a shape that seems to represent a dead body lying on the beach.
Convinced that there is something sinister lurking amongst the glamour of the bay, Rachel books a cottage there – where she meets a mysterious doctor called Seamus Doyle…
Praise for Martin Edwards
'Highly recommended, with a touch of the gothic.' ANN CLEEVES
'Martin Edwards celebrates and satirises the genre with wit and affection... He leaves you wanting more.' THE TIMES
'The brilliant Savernake is a fascinatingly enigmatic character.' WASHINGTON POST
'Martin Edwards holds his own with the best of classic crime.' DAILY MAIL
'Reads as if Ruth Rendell were channelling Edgar Wallace.' MICK HERRON