Screen Arts and New Media Aesthetics (CHI)
2 total works
Windows both connect and divide interior and exterior, public and private spaces. Interfaces update the function of the window in today's world of omni-present screens and digital information. "Window| Interface", based on a forthcoming exhibition at the Mildred Lane Kemper Art Museum, explores how artists such as Olafur Eliasson, Cerith Wyn Evans, Monika Fleischmann, Kirsten Geisler, Pierre Huyghe, Richard Long, and others have addressed the role of windows and interfaces as mediums of perception and transport. The book investigates art that explores the limits of the body in relation to the surrounding world and reveals the embodied character of human experience. Lavishly illustrated and accompanied by essays that situate the exhibition in the context of contemporary art, this volume is the second in the Kemper Art Museum's "Screen Arts and New Media Aesthetics" series, inaugurated in 2006.
![Cover of [Grid< >Matrix]](https://images.bookhype.com/covers/e1/ce/91575abd-785d-442a-813a-082b4410ec1e/9780936316208-7b334bf5b155bb6b94128a.jpg)
Shaping everyday landscapes from cities to factories, the grid - an arrangement of individual elements along perpendicular lines - has been a basic structure of modern life. The matrix, in contrast, pushes the grid into the digital frontier, freeing it from its confinement to two dimensions. Featuring bold new essays by Sabine Eckmann and Lutz Koepnick, curators of the Mildred Lane Kemper Art Museum exhibition that shares its name, "[Grid>Matrix]" traces the complex relationship of these different yet intertwined methods of organizing the visual world and how we represent it in art. The inaugural volume of the Museum's Screen Arts and New Media Aesthetics series of special exhibitions and publications, "[Grid>Matrix]" explores the continuities and ruptures between the analog and the digital, and between the organizational principles of older and newer media. It examines the ubiquity of screens in contemporary life and illuminates the impact of the digital on artistic practice and aesthetic experience alike.