Sternberg Press / Publication Series of the Academy of Fine Arts Vienna
1 primary work
Book 16
This collection of essays, discussions, and interviews reflects on the intersection of the historicity, materiality, and structures behind culturally constructed race and racism, anti-Semitism, anti-Romaism, and queer shame across different disciplines, fields, and theories (for example, in philosophy, art and art history, visual culture, architecture, curating, postcolonial history, gender and queer studies). Various case studies and artistic projects employing collaborative and participatory research methods are analyzed as practices that empower the process of turning shame into productive agency. The ensuing role of productive shame is to prevent the recurrence of the institutional structures, patterns, and events that are responsible and constitutive of racism, and has been contextualized in recent debates on political responsibility and reconciliation in Europe and Africa.
Contributors
Tal Adler, Eva Blimlinger, Andrea B. Braidt, Jasmina Cibic, Das Kollektiv, Zsuzsi Flohr, Eduard Freudmann, Tímea Junghaus, Jakob Krameritsch, Jean-Paul Martinon, Suzana Milevska, Helge Mooshammer, Peter Mörtenböck, Trevor Ngwane, Karin Schneider, Primrose Sonti, Gayatri Chakravorty Spivak, Working Group Four Faces of Omarska
Publication Series of the Academy of Fine Arts Vienna, vol. 16