Vintage Classics Series

In 1849, Dostoevsky was sentenced to four years at hard labor in a Siberian prison camp for participating in a socialist discussion group. The novel he wrote after his release, based on notes he smuggled out, not only brought him fame, but also founded the tradition of Russian prison writing. Notes from a Dead House (sometimes translated as The House of the Dead) depicts brutal punishments, feuds, betrayals, and the psychological effects of confinement, but it also reveals the moments of comedy and acts of kindness that Dostoevsky witnessed among his fellow prisoners.
To get past government censors, Dostoevsky made his narrator a common-law criminal rather than a political prisoner, but the perspective is unmistakably his own. His incarceration was a transformative experience that nourished all his later works, particularly Crime and Punishment. Dostoevsky’s narrator discovers that even among the most debased criminals there are strong and beautiful souls. His story is, finally, a profound meditation on freedom: “The prisoner himself knows that he is a prisoner; but no brands, no fetters will make him forget that he is a human being.”

The Double and The Gambler

by Fyodor Dostoevsky

Published 1 September 2005

Two small masterpieces in one volume. First, The Double, a surprisingly modern hallucinatory nightmare that foreshadows Kafka and Sartre. A minor official named Goliadkin becomes aware of a mysterious doppelganger - a man who has his name and his face and who gradually and relentlessly begins to displace him with his friends and colleagues. In the dilemma of his increasingly paranoid hero, Dostoevsky makes vividly concrete the inner plurality of consciousness that would become a major theme of his work. Second, The Gambler, a stunning psychological portrait of a young man's exhilarating and destructive addiction, a compulsion that Dostoevsky - who once gambled away his wife's wedding ring- knew intimately from his own experience. In the disastrous love affairs and gambling adventures of Alexei Ivanovich, Dostoevsky explores the irresistible temptation to look into the abyss of ultimate risk that he believed was an essential part of the Russian national character.