Obsession

by James Dempsey and Sabine Rewald

Published 12 June 2018
Evocative and often highly erotic works on paper by Gustav Klimt, Egon Schiele, and Pablo Picasso are presented along with new details about Scofield Thayer (1889–1982), the unusual and complicated man who collected them. Thayer was a wealthy publisher, poet, and aesthete who led an intense public life that included the editorship of the prominent literary journal The Dial and friendships with literary luminaries such as e. e. cummings. In the 1920s, Thayer went on an art-buying spree in London, Paris, Berlin, and Vienna, acquiring approximately 600 works of art. Among these are particularly provocative drawings and watercolors by Klimt, Schiele, and Picasso, at a time when these works were little known or appreciated. This book showcases 52 of the rarely seen works—which have now taken their place as modernist erotic masterpieces—and presents them within the context of the collector’s remarkable life and tempestuous times.
 

Published by The Metropolitan Museum of Art / Distributed by Yale University Press


Exhibition Schedule:

The Met Breuer
(07/03/18–10/07/18)


Max Beckmann in New York

by Sabine Rewald

Published 18 October 2016
An up close and personal look at the life and work of a major 20th-century artist

The prominent German Expressionist painter Max Beckmann (1884–1950) is known for allegorical, autobiographical works that capture the doom and grotesquerie of World War I and the subsequent rise of Nazism. In 1937, under threat by the Nazi regime (which featured Beckmann’s work prominently in the notorious “Degenerate Art” exhibition that year), he and his wife relocated, first to Amsterdam, then to St. Louis, and eventually to New York City, where Beckmann died less than one year later. This revealing book focuses on the works produced during Beckmann’s final years and other pieces by the artist now found in New York collections.
 
Throughout his prolific career, Beckmann maintained a firm loyalty to representational painting, asserting his purpose to “get hold of the magic of reality and to transfer this reality into painting.” The deft and subtle layers of color and shadow, figures and allusions in his work resulted in captivating narrative images. Presenting a mesmerizing portrait of one of the 20th century’s most enigmatic and challenging artists, Max Beckmann in New York features beautiful reproductions of Beckmann’s remarkable artworks, accompanied by an engaging essay by acclaimed art historian Sabine Rewald that contextualizes his paintings and provides insight into his tumultuous life.  

Published by The Metropolitan Museum of Art / Distributed by Yale University Press


Exhibition Schedule:

The Metropolitan Museum of Art
(10/18/16–02/20/17)