The Journals of Derek Jarman
2 total works
Derek Jarman tells the story of his discovery that he is HIV+ and, in a series of flashbacks, looks at his life - his difficult relationship with his father, his discovery of his homosexuality and the dramatic exposure of his first homosexual relationship, his university days and his coming out at art school in the company of contemporaries such as David Hockney and Patrick Proctor. He goes on to describe his early work as a stage designer , his affair with Robert Mapplethorpe and his early encouragement of David Lynch. The cast list also includes Francis Bacon, Andy Warhol, Kenneth Anger, Boy George and Julian Clarey.
'For days now I have tried to start this diary, but the clatter of my existence has warned me off; the first mark on the page eludes me...'
Derek Jarman's Smiling in Slow Motion concludes the journey started in Modern Nature, these previously unpublished journals stretch from May 1991 until a fortnight before his death in February 1994. Part diary, part observation, part memoir, Jarman writes with his familiar honesty, wry humour and acuity. Friends, collaborators and enemies are catalogued as he races through his last year painting, film-making, gardening, and annoying his targets through his involvement in radical politics.
Writing from his Charing Cross Road flat, on his visits to international film festivals, his world famous garden at Dungeness in Kent, and finally from his bed in St Bartholomew's Hospital, Jarman illuminates an era which seems more ephemeral and out-of-grasp with each passing day.
Smiling in Slow Motion is not a document of illness, regret and resignation, but one of endeavour, remembrance and love.
Derek Jarman's Smiling in Slow Motion concludes the journey started in Modern Nature, these previously unpublished journals stretch from May 1991 until a fortnight before his death in February 1994. Part diary, part observation, part memoir, Jarman writes with his familiar honesty, wry humour and acuity. Friends, collaborators and enemies are catalogued as he races through his last year painting, film-making, gardening, and annoying his targets through his involvement in radical politics.
Writing from his Charing Cross Road flat, on his visits to international film festivals, his world famous garden at Dungeness in Kent, and finally from his bed in St Bartholomew's Hospital, Jarman illuminates an era which seems more ephemeral and out-of-grasp with each passing day.
Smiling in Slow Motion is not a document of illness, regret and resignation, but one of endeavour, remembrance and love.