Salt Modern Poets
2 total works
Elegant, interesting, fluent, funny and wise, Tim Dooley's new collection Keeping Time brings together lyrics and fragmentary narratives, the remembered and the imagined, in poems whose every line seems balanced as if with a spirit level. In a special issue of Agenda on `The State of Poetry', Dooley wrote `the condition of poetry isn't soliloquy but colloquy, a conversation that's been going on before the poem starts, and is capable of being joined and continued by others.' Keeping Time reflects this plural, provisional vision. New vocabularies of social and technological change cohabit with after-images of traditional literary forms. Key public events of recent years are explored alongside recurring timeless themes. First- and third person- pieces accompany narratives whose protagonists slip slyly from one poem to another. This is a poetry of light and movement that captures the reader's attention in unexpected ways.
The poems in Imagined Rooms invite the reader in Philip Gross’s words `to take it all in’. Written between the 1970s and the start of the Clinton and Blair era, they display a voracious imagination, a freedom with language and a hard-bitten compassion. A worthy companion to Keeping Time, also published by Salt, Imagined Rooms is global in its outlook, making what was once strange or distant immediate and present. It offers a view on a world where there is no place to hide and where, in Dooley’s paraphrase of Jaccottet, the poet’s role is to name and look out for `every item left at risk’.