Liebermann Papers
2 total works
Early signs indicate that the killer is no ordinary 'lust murderer' but an entirely new phenomenon, his particular deviance revealing the darker preoccupations of the age.
To understand his behaviour, Liebermann must employ the latest developments in psychoanalysis and make a journey into uncharted regions of the human mind.
Alongside the unfolding of this disturbing case, Liebermann must treat his own patients, including a man who claims to have seen his double - the doppelganger of Germanic folklore - an experience believed to be an omen of death. As Liebermann discovers more about this seemingly harmless man, he becomes convinced that his hallucinations are caused by a traumatic memory, buried deep in his unconscious. Could a mysterious dream hold the key?
As the investigations proceed, Liebermann and Rheinhardt find themselves drawn into the worlds of art and couture, worlds in which glamorous appearances mask the most sinister secrets.
Vienna, 1903.
An operatic diva, Ida Rosenkrantz, is found dead in her luxurious villa. It appears that she has taken an overdose of morphine, but a broken rib, discovered during autopsy, suggests other and more sinister possibilities. Detective Inspector Oskar Rheinhardt seeks the assistance of his young friend, the psychoanalyst Dr Max Liebermann, and they begin their inquiries at Vienna's majestic opera house, where its director, Gustav Mahler, is struggling to maintain a pure artistic vision while threatened on all sides by pompous bureaucrats, vainglorious singers, and a hostile press.
When the demagogue Mayor of Vienna, Karl Lueger, becomes the prime suspect - with an election only months away - the Rosenkrantz case becomes politically explosive. The trail leads Rheinhardt and Liebermann, via a social climbing professor of psychiatry, to the Hofburg palace and the mysterious Lord Marshal's office - a shadowy bureau that deals ruthlessly with enemies of the ageing Emperor Franz Josef.
As the investigation proceeds, the investigators are placed in great personal danger, as corruption is exposed at the very highest levels. Meanwhile, Liebermann pursues two private obsessions: a coded message in a piece of piano music, and the alluring Englishwoman, Miss Amelia Lydgate.
Romance and high drama collide as the Habsburg Empire teeters on the edge of scandal and ruin.