This handsome volume offers a rare and exclusive look at important holdings of a private collection in Chicago, showcasing 120 drawings by some of the leading artists of the postwar period. Among the featured artists are Roy Lichtenstein, Barnett Newman, Robert Rauschenberg, and Frank Stella. Also illustrated are thirteen early drawings by Mel Bochner; works on paper by Sol Le Witt and Brice Marden; and individual sheets by Jasper Johns, Donald Judd, Ellsworth Kelly, Agnes Martin, Bruce Nauman, Bridget Riley, Ed Ruscha, and Robert Ryman. Mark Pascale discusses specific drawings by these artists and their relationship to Minimalist and Post-Minimalist styles. He also investigates the importance of drawings produced by sculptors, which offer fascinating glimpses into their creative processes. An interview with the collector reveals the inspiration behind his holdings and the ways in which his collection has grown over the years, and a full-colour plate section and complete checklist of the collection round out this compelling book.

Martin Puryear

by Mark Pascale

Published 8 October 2015
A fascinating glimpse into the creative process of a major contemporary sculptor, featuring many previously unseen works on paper

American sculptor Martin Puryear (b. 1941) creates work that combines the clean elegance of minimalism and the simplicity of traditional materials. His stunning sculptures explore themes of identity, ethnicity, and history, and are rich with social and cultural commentary. Puryear, who is known for abstract, large-scale pieces in wood, stone, and bronze, has captured the attention of the art world for the past 30 years. Despite the apparent simplicity of his works, however, he engages in an extensive iterative process that has, until now, been unknown.
 
Martin Puryear: Multiple Dimensions explores that process, featuring numerous drawings, prints, and small-scale sculptures that have never before been published. This catalogue is the first to examine Puryear’s work across media, providing invaluable insight into his visual thinking, from sketches to working drawings and constructions for sculpture. Handsomely illustrated with nearly 120 color plates that demonstrate the evolution of Puryear’s ideas between drawings, prints, and sculptures, this beautiful volume draws back the curtain on the methodology of this important and enigmatic artist. 

Distributed for the Art Institute of Chicago


Exhibition Schedule:

Morgan Library and Museum
(10/09/15–01/10/16)

The Art Institute of Chicago
(02/07/16–05/01/16)

Smithsonian American Art Museum
(05/27/16–09/06/16)