Chaplin

by Simon Louvish

Published 5 March 2009

An Everyman who expressed the defiant spirit of freedom, Charlie Chaplin was first lauded and later reviled in the America that made him Hollywood's richest man. He was a figure of multiple paradoxes, and many studies have sought to unveil 'the man behind the mask.'

Louvish charts the tale of the Tramp himself through his films - from the early Mack Sennett shorts through the major features (The Gold Rush, City Lights, Modern Times, The Great Dictator et al.) He weighs the relationship between the Tramp, his creator, and his world-wide fans, and in doing so retrieves Chaplin as the iconic London street-kid who carried the 'surreal' antics of early BritishMusic Hall triumphantly onto the Hollywood screen. Louvish also looks anew at Chaplin's and the Tramp's social and political ideas - the challenge to fascism, defiance of the McCarthyite witch-hunts, eventual 'exile', and last mature disguises as the serial-killer Monsieur Verdoux and the dying English clown Calvero in Limelight.

This book is an epic journey, summing up the roots of Comedy and its appeal to audiences everywhere, who revelled in the clown's raw energy, his ceaseless struggle against adversity, and his capacity to represent our own fears, foibles, dreams, inner demons and hopes.


Mae West

by Simon Louvish

Published 14 November 2006
Sex goddess, Hollywood star, transgressive playwright, author, blues singer, and vaudeville brat - Mae West remains the Twentieth century's greatest comedienne. She made an everlasting mark in trailblazing Broadway plays such as Sex and the Constant Sinner and in films such as She Done Him Wrong, Klondike Annie, and I'm No Angel.
Mae West: It Ain't No Sin is the first biography to make use of West's recently uncovered personal papers, offering an unprecedented view into the endless creative drive and daring wit of this legendary star.

Monkey Business

by Simon Louvish

Published 8 June 2000
This is the first full and properly researched biography of all five Marx Brothers - Chico, Harpo, Groucho, Gummo and Zeppo. It features the first authentic account of their origins, of the roots of their comedy, and their twenty-four years on the stage prior to the shooting of their first movie, The Cocoanuts, in 1929. Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayhem feature in this tale of the Brothers' battles with Hollywood, their loves and marriages, and the story of the forgotten brother Gummo, who never appeared on screen. Spicing up the anarchic brew are accounts of Salvador Dali's 'missing' script for Harpo, the true identity of the long-suffering Margaret Dumont, and the FBI's verdict on Groucho's particular brand of Marxism.