Studies in Comparative Religion
2 total works
Sonic Liturgy: Ritual and Music in Hindu Tradition builds on the foundation of Guy L. Beck s earlier work, which described the theoretical role of sound in Hindu thought. Sonic Liturgy continues the discussion of sound into the realm of Hindu ritual and musical traditions of worship.
Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms sonic liturgy, a structure of religious worship and experience that incorporates sound and music on many levels.
In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music.
Beginning with the chanting of the Sama-Veda alongside the fire sacrifices of the ancient Indo-Aryans and with the classical Gandharva music as outlined in the musicological texts of Bharata and Dattila, Beck establishes a historical foundation for an in-depth understanding of the role of music in the early Puja rituals and Indian theater in the vernacular poetry of the Bhakti movements in medieval temple worship of Siva and Vishnu in southern India, and later in the worship of Krishna in the northern Braj region. By surveying a multitude of worship traditions, Beck reveals a continuous template of interwoven ritual and music in Hindu tradition that he terms sonic liturgy, a structure of religious worship and experience that incorporates sound and music on many levels.
In developing the concept and methods for understanding the phenomenon of sonic liturgy, Beck draws from liturgical studies and ritual studies, broadening the dimensions of each, as well as from recent work in the fields of Indian religion and music.
This title presents a comparative approach to understanding the centrality of sound to Hindu religious practices. The Hindu world is permeated by sound: drums, bells, gongs, cymbals, conches, flutes, and an array of vocalizations play a central role in worship. Guy L. Beck contends that the traditional Western focus on Hinduism's visual component has often been at the expense of the religion's most important feature - its emphasis on sound. In ""Sonic Theology"", Beck addresses this longstanding imbalance, contending that Hinduism is essentially a sonic theology. Beck argues that sound participates at every level of the Hindu cosmos. Comparing the centrality of sound in Hindu theology to its place in other religions, Beck raises issues about sound and language that not only reshape our understanding of Hindu worship but also invite a fresh approach to comparative theology.