Critical Studies in Russian Literature S.

2 total works

Chekhov's "Uncle Vanya" and the "Wood Demon"

by Donald Rayfield

Published 1 January 1998

Uncle Vania is Chekhov's best loved and perhaps his best composed play, yet this is the first book to be solely devoted to it in any language. Donald Rayfield brings his twenty years of research and writing and a century of others' critical studies to focus on Chekhov's art. He offers a close reading and interpretation of the play, paying special attention to the way in which it evolved from its prototype, the rarely performed comedy The Wood Demon.
This study of Chekhov's emergence as a dramatist of genius will be invaluable to students of drama, for here, for the first time, we can watch as a playwright turns failure into success and thus learn technical secrets of his art.

Understanding Chekhov

by Donald Rayfield

Published 24 June 1999

This work is designed to enhance the understanding of those who read Chekhov's stories or watch his plays. It reveals the levels of meaning and intention, the interpretations that author, reader, theatre director or critic can make, and brings out Chekhov's many connections to European prose and drama. It is a systematic study, in chronological order, showing how Chekhov was formed by his own literary models and cultural background. It places stories and plays in context with each other as well as with Chekhov's reading and his public's and publishers' expectations. Early work receives special attention as the crucible in which later fiction is smelted; each of the major plays has a chapter devoted to it. Chekhov's own elusive intentions are elucidated, as well as the critical reactions of his contemporaries and of posterity. This study concentrates on Chekhov's innovations in both the story and in drama: the use of inconsequentiality, the avoidance of denouements, non-verbal effects (eg. smell and light), intertextuality. Much new archival material, private and family, is drawn on to show the origins of Chekhov's ideas and source of his motifs.
Attention is paid to Chekhov's influence on the short story and on drama in Europe and America, as well as in Russia.