Period

by Dennis Cooper

Published 2 November 2000
Set in a world of secret Web sites, this book touches on the many aspcts of modern-day America, such as pornography and Satanism.

Try

by Dennis Cooper

Published 15 September 1994
Simultaneously deadpan and queasily raw, Try is the story of Ziggy, the adopted teenaged son of two sexually abusive fathers whose failed experiment at nuclear-family domesticity has left him stranded with one and increasingly present in the fantasies of the other. He turns from both of these men to his uncle, who sells pornographic videos on the black market, and to his best friend, a junkie whose own vulnerability inspires in Ziggy a fierce and awkward devotion. Terminally insecure and yet inured to sexual brutality, Ziggy questions his two fathers, his uncle, his drug dealer, his friends, and himself in an attempt to isolate and define the vagaries and boundaries of sexuality, attraction, and abuse, compiling their responses into a magazine that he calls I Apologize. In prose that is taut, rhythmic, charged, chillingly precise, and beautifully controlled, Cooper examines his characters' motivations not as the product of cultural coercion but as the emanations of something hungry and amoral and essentially human. Try explores "that buried need to go all the way and really possess someone, " that place where desire disintegrates into the irrational. He illuminates with utter clarity the need to claim the desirable, to possess wholly something that will fulfill the profound emptiness of the human soul. With Try, Cooper has produced a novel even more complex than his previous books, dangerously innovative and with the startling familiarity of truth in its examination of love, obsession, devotion, and the depths of human need.

Frisk

by Dennis Cooper

Published 1 January 1991
When Dennis is thirteen, he sees a series of photographs of a boy apparently unimaginably mutilated. Dennis is not shocked, but stunned by their mystery and their power; their glimpse at the reality of death. Some years later, Dennis meets the boy who posed for the photographs. He did it for love.

Surrounded by images of violence, the celebrity of horror, news of disease, a wasteland of sex, Dennis flies to Europe, having discovered some clues about the photographs: "I see these criminals on the news who've killed someone methodically, and they're free. They know something amazing. You can just tell." What they know may lie in bodies themselves. Bodies are unavoidably real; what's in them must have something to say, even in a society that lives on images and fantasies. An isolated windmill in Holland provides the perfect setting for Dennis to find out more about bodies--of which there are many--and what is inside them.

In Frisk, as in the award-winning Closer, Dennis Cooper explores the limits of our knowledge and the dividing line between the body and the spirit. Frisk is a novel about the power of fantasy and faith, about the ecstasy and horror of being human. The body's power extends to us all, but what power do we have over it, over its appetites and satisfactions? The answer to these questions is a work of imaginative courage and clarity: a murder mystery that implicates us all and a horror story in which the monster is love.