Indian Court Painting

by Steven M Kossak

Published 10 September 1996
A study of eighty-three exceptional paintings made for the royal courts of India in the major Mughal, Deccani, Rajput, and Pahari workshops.

The Lotus Transcendent

by Martin Lerner and Steven M Kossak

Published 10 September 1991
An exploration of one of the most important collections of Indian and South-East Asian sculpture ever assembled. The works discussed are drawn from the Samuel Eilenberg Collection, much of which is housed at The Metropolitan Museum of Art, New York.

A great and early civilization arose on the subcontinent of South Asia that in time spread northward to the Himalayan region and eastward to Southeast Asia, a vast area including Cambodia, Thailand, Laos, Indonesia, Vietnam, Malaysia, and Myanmar. This resource introduces works of art from this area selected from the superb South and Southeast Asian and Islamic collections of The Metropolitan Museum of Art. Fifty-three digital images (of which forty are also reproduced as slides) present examples of Buddhist and Hindu temple art and the later court arts of South Asia; these range from miniature painting and luxurious textiles to elegant personal possessions. The boxed package also contains two posters; a summary of South and Southeast Asian history; a section about Buddhism and Hinduism; descriptions of the visual qualities and symbolic meanings of the art; classroom activities; lesson plans; a glossary; and a CD-ROM version.

The Metropolitan Museum of Art's teacher-training programs and accompanying materials are made possible, in part, through a generous grant from Mr. and Mrs. Frederick P. Rose.

This splendidly illustrated publication features over 90 important paintings from the predominantly Hindu Rajput tradition of Indian painting, and are highlights from the Kronos Collection, one of the finest holdings of Indian art. These remarkable works—most of them published and illustrated here for the first time—were painted between the 16th and 18th centuries for the Indian royal courts in Rajastan and the Punjab Hills. Many of the paintings are characterized by their brilliant colors and vivid depictions of scenes from Hindu epics, mystical legends, and courtly life. Along with an informative entry for every work and a personal essay by expert and collector Steven M. Kossak, the book contains an extensive essay by Terence McInerney that outlines the history of Indian painting, with a special emphasis on the Rajput courts, and provides an overview of the subject with fresh insights and interpretations. 

Published by The Metropolitan Museum of Art/Distributed by Yale University Press


Exhibition Schedule:

The Metropolitan Museum of Art
(06/14/2016–09/12/2016)