Annual Review of Jazz Studies
2 total works
Annual Review of Jazz Studies 9: 1997-1998
by Edward Berger, David Cayer, Henry Martin, and Dan Morgenstern
Published 6 November 2000
The Annual Review of Jazz Studies is dedicated to scholarly research on jazz and its related musical forms. It recognizes the growing awareness of jazz as a cultural phenomenon. All volumes include numerous musical examples, a book review section, a portfolio of jazz photographs, and bibliographic surveys. This volume is a special double issue covering the two years of 1997 and 1998. It begins with a series of studies devoted to the classic ballad, "Stella by Starlight," focusing on various performances by groups led by Miles Davis as well as discussing visits to "Stella" by Oscar Peterson and Bill Evans. Other articles in this volume cover major figures in the heritage of jazz, such as Bix Beiderbecke, Martial Solal, Charlie Parker, John Coltrane, and Ornette Coleman. It also explores two other areas of interest: the Western African drumming tradition and its relation to jazz, and a study of a seminal book, Jazz Dance, by Marshall and Jean Stearns. The reviews include two essays on Paul Berliner's Thinking in Jazz, an assessment of Jazz Research and Performance Materials: A Select Annotated Bibliography, three biographies of Woody Herman, and a review of important Duke Ellington recordings. Finally, there are rare photographs drawn from the files of the Institute of Jazz Studies. This volume is a must-have for collectors of this series and sure to be of interest to all jazz lovers.
Now in paperback! Showcases professional work in the arena of jazz theory. Among the contributors are scholars of jazz theory as well as musicians, including four of the founding members of the jazz section of the Society for Music Theory. The articles offer a close analysis of a wide variety of jazz styles and span the years from the 1920s to the 1960s. Feature articles include analyses of the music of Johnny Dodds, Charlie Parker, Herbie Hancock, Thelonious Monk and John Coltrane, an overview of jazz theory that examines its history and purpose, a discussion of linear intervallic patterns in the jazz repertory, and a review of scientific analyses of jazz microrhythms. Of great interest to jazz theorists, performers, educators and critics.