Tsarist and Soviet Mennonite Studies
4 total works
A regional history of colonization and adaptation in southern Ukraine, Cross-Cultural Encounters on the Ukrainian Steppe examines how diverse agrarian groups, faced with common environmental, economic, and administrative conditions, followed sharply divergent paths of development. Using a wide variety of sources, including local Ukrainian and Russian archives never before examined by a western scholar, John Staples compares and contrasts how the Mennonites, Nogais, Russians, Ukrainians, and other groups transformed their environments and adapted to life in the Molochna Valley. Staples contends that the allocation and use of land formed a central hub around which public life in Molochna revolved, and determined the success or failure of each group. Ultimately, he concludes, it was the settlers, not the state, who decided how they would adapt to the arid southern Ukrainian steppe. Perhaps most importantly, Staples makes a major contribution to the investigation of how peasant groups can emerge from their traditionalist mentality and life-style as the Mennonites of Molochna did.
His thoughtful analysis will be a welcome addition to the study of both Tsarist peasant history and Russian and Ukrainian agricultural and peasant history.
His thoughtful analysis will be a welcome addition to the study of both Tsarist peasant history and Russian and Ukrainian agricultural and peasant history.
Nestor Makhno and the Eichenfeld Massacre
by Harvey L Dyck, John R Staples, and John B Toews
Published 12 July 2004
In the lives of ordinary people are the truths of history. Such truths abound in the diaries of Jacob Epp, a Russian Mennonite school-teacher, lay minister, farmer, and village secretary in southern Ukraine. This abridged translation of his diaries offers a remarkably vivid picture of Mennonite community life in Imperial Russia during a period of troubled change. Epp's writings reveal a skilled and honest diarist of deep feelings, and tell a human story that no conventional historical account could hope to equal. The diaries overflow with the details of his workaday world. Family, village, church, and community routines are broken by trips to market, visits to other Mennonite settlements, and a memorable steamer voyage to boomtown Odessa on the Black Sea. He chronicles his long-time involvement in an unusual Imperial experiment in which Mennonites were "model farmers" in Jewish villages. Harvey L. Dyck places the diaries in their historical, ethnocultural, social, religious, economic, and political settings.
Based on archival research, interviews, travels, and consultations with other scholars, his detailed and perceptive introduction and analysis trace Jacob Epp's life and present a sketch and interpretation of his larger family, community, and Imperial world. With striking clarity the diaries and introduction together re-create a time and way of life marked by controversy and flux. They reflect significant facets of the experience of ethno-religious minorities in Imperial Russia and of the development of the southern Ukrainian frontier. Above all, they fill significant missing pages of the great community-centred story of Russian Mennonite life. This book is richly illustrated with maps, black-and-white photographs, and watercolour paintings by Cornelius Hildebrand, Jacob Epp's former village school pupil and later brother-in-law.
Based on archival research, interviews, travels, and consultations with other scholars, his detailed and perceptive introduction and analysis trace Jacob Epp's life and present a sketch and interpretation of his larger family, community, and Imperial world. With striking clarity the diaries and introduction together re-create a time and way of life marked by controversy and flux. They reflect significant facets of the experience of ethno-religious minorities in Imperial Russia and of the development of the southern Ukrainian frontier. Above all, they fill significant missing pages of the great community-centred story of Russian Mennonite life. This book is richly illustrated with maps, black-and-white photographs, and watercolour paintings by Cornelius Hildebrand, Jacob Epp's former village school pupil and later brother-in-law.