Modern Library Paperbacks
2 total works
From the author of the critically-acclaimed Austerlitz and Across the Land and Water comes A Place in the Country, the much anticipated translation of one of W.G. Sebald's most brilliant works.
When W. G. Sebald, the prize-winning author of Austerlitz, travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp.
Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.
A Place in the Country is a window into the mind of this much loved and much missed writer.
Praise for W.G. Sebald:
'A new kind of writing, combining fiction, memoir, travelogue, philosophy and much else besides . . . greatness in literature is still possible' John Banville, Irish Times
'When you read Sebald you are transported to another realm. Reading him is a truly sublime experience' Literary Review
'Is literary greatness still possible? One of the few answers available to English-Language readers is the work of W.G. Sebald' Susan Sontag
W.G. Sebald was born in Wertach im Allgau, Germany in 1944. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1966 he took up a position as an assistant lecturer at the University of Manchester, and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia, and the author of Austerlitz; The Emmigrants, which won a series of major awards, including the Berlin Literature Prize, the Heinrich Boll Prize, the Heinrich Heine Prize and the Joseph Breitbach Prize.
When W. G. Sebald, the prize-winning author of Austerlitz, travelled to Manchester in 1966, he packed in his bags certain literary favourites which would remain central to him throughout the rest of his life and during the years when he was settled in England. In A Place in the Country, he reflects on six of the figures who shaped him as a person and as a writer, from Jean-Jacques Rousseau to Jan Peter Tripp.
Fusing biography and essay, and finding, as ever, inspiration in place - as when he journeys to the Ile St. Pierre, the tiny, lonely Swiss island where Jean-Jacques Rousseau found solace and inspiration - Sebald lovingly brings his subjects to life in his distinctive, inimitable voice.
A Place in the Country is a window into the mind of this much loved and much missed writer.
Praise for W.G. Sebald:
'A new kind of writing, combining fiction, memoir, travelogue, philosophy and much else besides . . . greatness in literature is still possible' John Banville, Irish Times
'When you read Sebald you are transported to another realm. Reading him is a truly sublime experience' Literary Review
'Is literary greatness still possible? One of the few answers available to English-Language readers is the work of W.G. Sebald' Susan Sontag
W.G. Sebald was born in Wertach im Allgau, Germany in 1944. He studied German language and literature in Freiburg, Switzerland and Manchester. In 1966 he took up a position as an assistant lecturer at the University of Manchester, and settled permanently in England in 1970. He was Professor of European Literature at the University of East Anglia, and the author of Austerlitz; The Emmigrants, which won a series of major awards, including the Berlin Literature Prize, the Heinrich Boll Prize, the Heinrich Heine Prize and the Joseph Breitbach Prize.
“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence–humane, digressive, deeply erudite, unassuming and tinged with melancholy. . . . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually mingle together curiosity and plangency, learning and self-revelation. . . . [Readers will] be rewarded with unexpected illuminations.”
–The Washington Post Book World
This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work–the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.
–The Washington Post Book World
This final collection of essays by W. G. Sebald offers profound ruminations on many themes common to his work–the power of memory and personal history, the connections between images in the arts and life, the presence of ghosts in places and artifacts. Some of these pieces pay tribute to the Mediterranean island of Corsica, weaving elegiacally between past and present, examining, among other things, the island’s formative effect on its most famous citizen, Napoleon. In others, Sebald examines how the works of Günter Grass and Heinrich Böll reveal “the grave and lasting deformities in the emotional lives” of postwar Germans; how Kafka echoes Sebald’s own interest in spirit presences among mortal beings; and how literature can be an attempt at restitution for the injustices of the real world.
Dazzling in its erudition, accessible in its deep emotion, Campo Santo confirms Sebald’s status as one of the great modern writers who divined and expressed the invisible connections that determine our lives.