These three essays were inspired by the Samothracian discoveries. Cyriacus of Ancona's visit to the island and his assessment of what he saw are the subject of the opening essay. This is followed by the first detailed and comprehensive analysis of Mantegna’s Parnassus, a painting which Mrs. Lehmann suggests reflects in its theme and imagery the use of a limited number of ancient sculptures and texts. The final essay is a discussion of the postclassical transformation of the iconographic type of the ancient ship-fountain.

Originally published in 1973.

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An open precinct located in the center of the Sanctuary of the Great Gods, the Temenos appears to have been the site of ceremonies performed during the annual Samothracian festival. The present work comprises two parts. Part One contains the text and covers the history of the excavation, the description and reconstruction of the Temenos and its Propylon, the structure and style of the building and its sculptures, and the history of this area of the Sanctuary; it also includes two brief sculptural appendices, an illustrated catalogue of finds, indexes, and 252 text figures. Part Two contains 60 plates, of which seven are restored plans, elevations, and sections of the building and the precinct.


The description for this book, Samothrace, Volume 4, Part II: Altar Court, will be forthcoming.


Samothrace, Volume 3

by Phyllis Williams Lehmann

Published 21 September 1969

The description for this book, Samothrace, Volume 3: The Hieron, will be forthcoming.


The description for this book, Samothrace, Volume 4, Part I: Hall of Votive Gifts, will be forthcoming.