Hampstead Murders
1 primary work • 5 total works
Book 3
The third volume of the Hampstead Murders sees the team become involved with a suspicious death at a crime writers' convention. Is this the result of a bitterly contested election for the Chair of the Crime Writers' Association or are even darker forces at work? Peter Collins, who is attending the convention as the author of new book on poisoning in Golden Age fiction, worries that the key clue to unlock this puzzle may be buried within his own memories. A character called Miss Marple offers her advice, but how should the police receive this? Meanwhile an act of sudden, shocking violence and a dramatic revelation threaten tragic consequences.
The second in the Hampstead Murders series opens with a sudden death at an iconic local venue, which some of the team believe may be connected with an unsolved murder featuring Cold War betrayals worthy of George Smiley. It soon emerges that none other than Agatha Christie herself may be the key witness who is able to provide the missing link. As with its bestselling predecessor, Death in Profile, the book develops the lives and loves of the team at 'Hampstead Nick'. While the next phase of a complicated love triangle plays itself out, the protagonists, struggling to crack not one but two apparently insoluble murders, face issues of national security in working alongside Special Branch. On one level a classic whodunit, this quirky and intelligent read harks back not only to the world of Agatha Christie, but also to the Cold War thrillers of John Le Carre, making it a worthy successor to Death in Profile which was dubbed 'a love letter to the detective novel'.
The genteel facade of London's Hampstead is shattered by a series of terrifying murders, and the ensuing police hunt is threatened by internal politics, and a burgeoning love triangle within the investigative team. Pressurised by senior officers desperate for a result a new initiative is clearly needed, but what? Intellectual analysis and police procedure vie with the gut instinct of 'copper's nose', and help appears to offer itself from a very unlikely source a famous fictional detective. A psychological profile of the murderer allows the police to narrow down their search, but will Scotland Yard lose patience with the team before they can crack the case? Praised by fellow authors and readers alike, this is a truly original crime story, speaking to a contemporary audience yet harking back to the Golden Age of detective fiction. Intelligent, quirky and mannered, it has been described as 'a love letter to the detective novel'. Above it all hovers Hampstead, a magical village evoking the elegance of an earlier time, and the spirit of mystery-solving detectives. Guy Fraser-Sampson is an established writer best known for his series of Mapp and Lucia novels which have been featured on BBC Radio 4 and optioned by BBC television. This is his debut work of detective fiction, and the first title in the Hampstead Murders series.
When a wealthy recluse is reported missing from his home, a shocking discovery sparks a homicide investigation which begins to lead the team from Hampstead CID in some very unexpected directions. What has happened to the man's family? Who is the mysterious character with whom he appears to have been sharing his house? Do transgressions from the past have a bearing on crimes of the present day?
In this, the fifth volume of the Hampstead Murders, we see a murder enquiry once more playing out against a shifting background of police politics and personal tribulations. Again, the beautiful London 'village' of Hampstead with its Georgian terraces and stuccoed villas provides an unlikely setting for events which show only too clearly the dark and ugly side of human nature.
In this, the fifth volume of the Hampstead Murders, we see a murder enquiry once more playing out against a shifting background of police politics and personal tribulations. Again, the beautiful London 'village' of Hampstead with its Georgian terraces and stuccoed villas provides an unlikely setting for events which show only too clearly the dark and ugly side of human nature.
Book 4 in the thrilling Hampstead Murders series!
When a woman identified as the wife of a prominent lawyer dies at an exclusive women's club, the team from Hampstead police station find themselves thrown into a baffling investigation with very little evidence to offer any guidance.
By coincidence, Metcalfe, Collins and Willis were all attending a vintage dinner dance at the club at the estimated time of death. Can they remember anything between them which might indicate a solution?
Set against a background of professors, barristers, and serial adultery, the fourth in the Hampstead Murders series continues the pattern set by its predecessors: strong, character-driven contemporary narrative written in the spirit of the Golden Age of detective writing. Praised by leading crime-writers, and garnering rave reviews from book bloggers, the books have been described as elegant, intelligent, quirky and 'a love letter to the detective novel'. All agree they are very 'different' from the standard fare of modern crime fiction.
When a woman identified as the wife of a prominent lawyer dies at an exclusive women's club, the team from Hampstead police station find themselves thrown into a baffling investigation with very little evidence to offer any guidance.
By coincidence, Metcalfe, Collins and Willis were all attending a vintage dinner dance at the club at the estimated time of death. Can they remember anything between them which might indicate a solution?
Set against a background of professors, barristers, and serial adultery, the fourth in the Hampstead Murders series continues the pattern set by its predecessors: strong, character-driven contemporary narrative written in the spirit of the Golden Age of detective writing. Praised by leading crime-writers, and garnering rave reviews from book bloggers, the books have been described as elegant, intelligent, quirky and 'a love letter to the detective novel'. All agree they are very 'different' from the standard fare of modern crime fiction.