Bri, a schoolteacher and his wife Sheila have a 10-year old spastic child named Josephine, who is completely helpless and utterly dependent. Bri hides behind irony and sarcasm. Sheila believes the child is her penance for a promiscuous past and soldiers on devotedly with their little "Joe Egg". Well-meaning family and friends offer sundry solutions, everything from adoption to euthanasia but ultimately Bri finds he cannot continue and leaves Sheila and Joe behind.-4 women, 2 men

Forget-me-not Lane

by Peter Nichols

Published 27 September 1971
Forget-me-not Lane' is a bittersweet play about fathers, families and nostalgia - about (in Nichol's words) a youth which was bitter to live through but sweet to remember. It was first performed in 1971 at the Greenwich Theatre, London.4 women, 5 men

Chez Nous

by Peter Nichols

Published 28 October 1974

Born in the Gardens

by Peter Nichols

Published January 1980
In a mock Tudor manor gone to seed lives 70 year old Maud and her younger son, forty five year old Mo. She speaks more to the soundless television than to him and he plays New Orleans jazz on his drums. An attempt to destroy this happy way of life is made on the occasion of the father's funeral by Hedley, the older son, and by Queenie, Mo's twin sister from California. But the cloistered pair prefer to remain in what is, in effect, a shed in the garden of Heartbreak House.2 women, 2 men

Poppy

by Peter Nichols

Published August 1982
Poppy is a celebration of Victorian values and exposes the hypocrisy, racism, drug dealing, money worship and sexual repression of the time through its favourite entertainment form. Dick Whittington, his man Jack, Sally the Principal Girl, the Dame, two pantomime horses, a flying ballet, a transformation scene and even the traditional song-sheet are all brought on to tell the serious and finally devasting story of the single most profitable crop of the British East India Company.4 women, 6 men

Piece Of My Mind

by Peter Nichols

Published 12 November 1987
A Piece of My Mind "transforms a self-confessed case of writer's block into a continuously inventive and thought-provoking comedy" (Charles Spencer, London Daily News) "The portrait of a marriage and his strained relationship with his teenage children all seem to come straight from the heart. They are all the more affecting for being described in the context of such immaculate artifice" (Charles Spencer, London Daily News)