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2 primary works
Book 325
Library of America launches a definitive collected edition of one of the most original and electric writers of our time with a volume gathering her five iconic books of the 1960s & 70s
Joan Didion's influence on postwar American letters is undeniable. Whether writing fiction, memoir, or trailblazing journalism, her gifts for narrative and dialogue, and her intimate but detached authorial persona, have won her legions of readers and admirers. Now Library of America launches its multi-volume edition of Didion's collected writings, prepared in consultation with the author, that brings together her fiction and nonfiction for the first time. Collected in this first volume are Didion's five iconic books from the 1960s and 1970s: Run River, Slouching Towards Bethlehem, Play It As It Lays, A Book of Common Prayer, and The White Album. Whether writing about countercultural San Francisco, the Las Vegas wedding industry, Lucille Miller, Charles Manson, or the shopping mall, Didion achieves a wonderful negative sublimity without condemning her subjects or condescending to her readers. Chiefly about California, these books display Didion's genius for finding exactly the right language and tone to capture America's broken twilight landscape at a moment of headlong conflict and change.
Joan Didion's influence on postwar American letters is undeniable. Whether writing fiction, memoir, or trailblazing journalism, her gifts for narrative and dialogue, and her intimate but detached authorial persona, have won her legions of readers and admirers. Now Library of America launches its multi-volume edition of Didion's collected writings, prepared in consultation with the author, that brings together her fiction and nonfiction for the first time. Collected in this first volume are Didion's five iconic books from the 1960s and 1970s: Run River, Slouching Towards Bethlehem, Play It As It Lays, A Book of Common Prayer, and The White Album. Whether writing about countercultural San Francisco, the Las Vegas wedding industry, Lucille Miller, Charles Manson, or the shopping mall, Didion achieves a wonderful negative sublimity without condemning her subjects or condescending to her readers. Chiefly about California, these books display Didion's genius for finding exactly the right language and tone to capture America's broken twilight landscape at a moment of headlong conflict and change.
Book 342
Library of America continues its definitive edition of one of the most electric writers of our time with a volume gathering her iconic reporting and novels from mid-career
This second volume in Library of America's definitive Didion edition includes two novels and three remarkable essay collections with which she extended the compass of the extraordinary journalistic eye first developed in the celebrated books Slouching Towards Bethlehem and The White Album. Gather here are Salvador, a searing look at terror and Cold War politics in the Central American civil war of the early 1980s; Miami, a portrait not just of a city but of immigration, exile, the cocaine trade, and political violence; and After Henry, in which she reports on Patty Hearst, Nancy Reagan, the case of the Central Park Five, and the Los Angeles she once called home. The novels Democracy and The Last Thing He Wanted, the latter recently adapted for film by Netflix, are fast-paced, deftly observed narratives of power, conspiracy, and corruption in American political life. Taken together, these five books mark the remarkable mid-career evolution of one of the most dynamic writers of our time.
This second volume in Library of America's definitive Didion edition includes two novels and three remarkable essay collections with which she extended the compass of the extraordinary journalistic eye first developed in the celebrated books Slouching Towards Bethlehem and The White Album. Gather here are Salvador, a searing look at terror and Cold War politics in the Central American civil war of the early 1980s; Miami, a portrait not just of a city but of immigration, exile, the cocaine trade, and political violence; and After Henry, in which she reports on Patty Hearst, Nancy Reagan, the case of the Central Park Five, and the Los Angeles she once called home. The novels Democracy and The Last Thing He Wanted, the latter recently adapted for film by Netflix, are fast-paced, deftly observed narratives of power, conspiracy, and corruption in American political life. Taken together, these five books mark the remarkable mid-career evolution of one of the most dynamic writers of our time.