Lady Darby Mystery
13 primary works • 14 total works
Book 1
THE FIRST LADY DARBY MYSTERY
Scotland, 1830. Following the death of her husband, Lady Darby has taken refuge at her sister’s estate, finding solace in her passion for painting. But when her hosts throw a house party for the cream of London society, Kiera is unable to hide from the ire of those who believe her to be as unnatural as her husband, an anatomist who used her artistic talents to suit his own macabre purposes.
Kiera wants to put her past aside, but when one of the house guests is murdered, her brother-in-law asks her to utilize her knowledge of human anatomy to aid the insufferable Sebastian Gage—a fellow guest with some experience as an inquiry agent. While Gage is clearly more competent than she first assumed, Kiera isn’t about to let her guard down as accusations and rumors swirl.
When Kiera and Gage’s search leads them to even more gruesome discoveries, a series of disturbing notes urges Lady Darby to give up the inquiry. But Kiera is determined to both protect her family and prove her innocence, even as she risks becoming the next victim…
Book 2
From the national bestselling author of The Anatonmist's Wife comes the second historical mystery featuring enigmatic sleuth Lady Kiera Darby.
Scotland, 1830. Lady Kiera Darby is no stranger to intrigue—in fact, it seems to follow wherever she goes. After her foray into murder investigation, Kiera must journey to Edinburgh with her family so that her pregnant sister can be close to proper medical care. But the city is full of many things Kiera isn’t quite ready to face: the society ladies keen on judging her, her fellow investigator—and romantic entanglement—Sebastian Gage, and ultimately, another deadly mystery.
Kiera’s old friend Michael Dalmay is about to be married, but the arrival of his older brother—and Kiera’s childhood art tutor—William, has thrown everything into chaos. For ten years Will has been missing, committed to an insane asylum by his own father. Kiera is sympathetic to her mentor’s plight, especially when rumors swirl about a local girl gone missing. Now Kiera must once again employ her knowledge of the macabre and join forces with Gage in order to prove the innocence of a beloved family friend—and save the marriage of another…
Book 3
Lady Kiera Darby and Sebastian Gage investigate a macabre murderer in this historical mystery from the author of Mortal Arts.
Scotland, 1830. Following the death of her dear friend, Lady Kiera Darby is in need of a safe haven. Returning to her childhood home, Kiera hopes her beloved brother Trevor and the merriment of the Hogmanay Ball will distract her. But when a caretaker is murdered and a grave is disturbed at nearby Dryburgh Abbey, Kiera is once more thrust into the cold grasp of death.
While Kiera knows that aiding in another inquiry will only further tarnish her reputation, her knowledge of anatomy could make the difference in solving the case. But agreeing to investigate means Kiera must deal with the complicated emotions aroused in her by inquiry agent Sebastian Gage.
When Gage arrives, he reveals that the incident at the Abbey was not the first—some fiend is digging up old bones and holding them for ransom. Now Kiera and Gage must catch the grave robber and put the case to rest…before another victim winds up six feet under.
Book 4
Book 4.5
Book 5
July 1831. In the midst of their idyllic honeymoon in England’s Lake District, Kiera and Gage’s seclusion is soon interrupted by a missive from her new father-in-law. A deadly incident involving a distant relative of the Duke of Wellington has taken place at an abbey south of Dublin, Ireland, and he insists that Kiera and Gage look into the matter.
Intent on discovering what kind of monster could murder a woman of the cloth, the couple travel to Rathfarnham Abbey school. Soon a second nun is slain in broad daylight near a classroom full of young girls. With the sinful killer growing bolder, the mother superior would like to send the students home, but the growing civil unrest in Ireland would make the journey treacherous.
Before long, Kiera starts to suspect that some of the girls may be hiding a sinister secret. With the killer poised to strike yet again, Kiera and Gage must make haste and unmask the fiend, before their matrimonial bliss comes to an untimely end...
Book 6
July 1831. It's been fifteen years since Sebastian Gage has set foot in Langstone Manor. Though he has shared little with his wife, Lady Kiera Darby, about his past, she knows that he planned never to return to the place of so many unhappy childhood memories. But when an urgent letter from his grandfather reaches them in Dublin, Ireland, and begs Gage to visit, Kiera convinces him to go.
All is not well at Langstone Manor. Gage's grandfather, the Viscount Tavistock, is gravely ill, and Gage's cousin Alfred has suddenly vanished. He wandered out into the moors and never returned. The Viscount is convinced someone or something other than the natural hazards of the moors is to blame for Alfred's disappearance. And when Alfred's brother Rory goes missing, Kiera and Gage must concede he may be right. Now, they must face the ghosts of Gage's past, discover the truth behind the local superstitions, and see beyond the tricks being played by their very own eyes to expose what has happened to Gage's family before the moors claim yet another victim...
Book 7
November 1831. After fleeing London in infamy more than two years prior, Lady Kiera Darby's return to the city is anything but mundane, though not for the reasons she expected. A gang of body snatchers is arrested on suspicion of imitating the notorious misdeeds of Edinburgh criminals, Burke and Hare--killing people from the streets and selling their bodies to medical schools. Then Kiera's past--a past she thought she'd finally made peace with--rises up to haunt her.
All of London is horrified by the evidence that "burkers" are, indeed, at work in their city. The terrified populace hovers on a knife's edge, ready to take their enmity out on any likely suspect. And when Kiera receives a letter of blackmail, threatening to divulge details about her late anatomist husband's involvement with the body snatchers and wrongfully implicate her, she begins to apprehend just how precarious her situation is. Not only for herself, but also her new husband and investigative partner, Sebastian Gage, and their unborn child.
Meanwhile, the young scion of a noble family has been found murdered a block from his home, and the man's family wants Kiera and Gage to investigate. Is it a failed attempt by the London burkers, having left the body behind, or the crime of someone much closer to home? Someone who stalks the privileged, using the uproar over the burkers to cover his own dark deeds?
Book 8
January 1832. After enjoying a delightful few weeks with her family, expectant mother Kiera and Sebastian Gage have been invited to the Duchess of Bowmontʼs Twelfth Night party in Traquair, Scotland. Though she normally avoids such fashionable, rambunctious events, Kiera is ready to join in the festive merrymaking. But upon their arrival at the opulent estate, it becomes obvious that all is not merry in their hostess’s home. The family appears to be under a great strain, and someone seems determined to cause mayhem among the guests with a series of forged notes.
Matters swiftly turn from irksome to downright deadly when the partygoers stumble upon a decomposing body in the castleʼs crypt. The corpse is thought to be the duchessʼs son-in-law who had purportedly traveled to Paris more than a month earlier. It is evident the man met with foul play, and Kiera and Gage soon realize that a ruthless murderer walks among them—and may well be a member of the duchessʼs own family. And when the investigation takes a treacherous turn, Kiera discovers just how deep the killer is willing to dig to keep their secrets from ever seeing the light of day.
Book 9
Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence.
A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered--in an imitation of a gruesome scene--the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner.
But family quarrels and the revelation of a secret Kiera has been keeping from Sebastian threaten to undermine everything they have overcome. When they find themselves in the crosshairs of the killer, trapped in the squalid underground vaults of the city, they will soon discover that the truth does not always set you free, and death can lurk around any corner.
Book 10
Argyll, Scotland. July 1832. After a trying few months in Edinburgh, Kiera and her husband and investigative partner, Sebastian Gage, are eager to escape to the Highlands with their three-month-old child. Kiera is overjoyed for her cousin Rye and her detractor-turned-friend Charlotte who are being wed in a private ceremony at the estate of Rye’s great-uncle, the Marquess of Barbreck, in what seems to be the perfect wedding party.
But when Kiera is invited to peruse Barbreck’s extensive art collection, she is disturbed to discover that one of his most priceless paintings seems to be a forgery. The marquess’s furious reaction when she dares to mention it leaves her shaken and the entire house shocked. For it turns out that this is not the first time the word forgery has been uttered in connection with the Barbreck household.
Matters turn more ominous when a maid from a neighboring estate is found murdered where the forged painting hangs. Is her death connected to the forgeries, perhaps a grisly warning of what awaits those who dare to probe deeper? With unknown entities aligned against them, Kiera and Gage are forced to confront the fact that they may have underestimated their opponent. For they are swiftly made to realize that Charlotte’s and Rye’s future happiness is not the only issue at stake, and this stealthy game of cat and mouse could prove to have deadly consequences.
Book 11
Yorkshire, England. August 1832. Relations between Sebastian Gage and his father have never been easy, especially since the discovery that Lord Gage has been concealing the existence of an illegitimate son. But when Lord Gage is nearly fatally attacked on a journey to Scotland, Sebastian and Kiera race to his side. Given the tumult over the recent passage of the Reform Bill and the Anatomy Act, in which Lord Gage played a part, Sebastian wonders if the attack could be politically motivated.
But something suspicious is afoot in the sleepy village where Lord Gage is being cared for. The townspeople treat Sebastian and Kiera with hostility when it becomes clear they intend to investigate, and rumors of mysterious disappearances and highway robberies plague the area. Lord Gage’s survival is far from assured, and Sebastian and Kiera must scramble to make the pieces fit before a second attempt at murder is more successful than the first.
Book 12
October 1832. Kiera is enjoying the slower pace of the English countryside. She, Sebastian, and their infant daughter have accompanied her father-in-law, Lord Gage, home so that he can recuperate from the injuries he sustained in a foiled attempt on his life. But as the chill of autumn sweeps across the land, they receive a summons from an unexpected quarter. Lord Gage’s estranged uncle—a member of the notorious Roscarrock family—has been murdered, and his family is desperate for answers. Despite Lord Gage’s protests, Kiera and Sebastian press on to Cornwall to assist.
It isn’t long before they discover that almost nothing is as it seems among the Roscarrocks, and they’ve been lured to their isolated cove under false pretenses. There are whispers of a lost treasure and frightening allusions to a series of murders stretching back decades that touch the lives of the family personally. Kiera and Sebastian are left with no choice but to uncover the truth before the secrets of the past threaten to destroy them all.
Book 13
March 1833. Kiera and her husband, Sebastian Gage, have decided to settle in Edinburgh for the winter with their infant daughter. This also allows Kiera to enjoy long hours painting in her studio, making progress on the portraits she soon hopes to unveil in her own exhibit. She’s thrilled when she receives an invitation to the auction of the late Lord Eldin’s coveted art collection, and she and Gage eagerly accept. When the floor collapses beneath the gathering, killing one of their fellow bidders, Kiera and Gage are lucky to escape with their lives.
Within days it becomes apparent that what at first seemed to be a terrible accident is actually something far more nefarious. Someone deliberately compromised the integrity of the structure, though the police are unsure of the culprit’s aim. Sergeant Maclean requests Kiera and Gage’s assistance in figuring out who would wish to harm the bidders. As they dig deeper, it becomes increasingly apparent that the victim was not the killer’s intended target . . . and that Kiera was lured to the auction deliberately. Kiera and Gage must utilize all their resources to unveil a monster willing to risk the lives of dozens of bystanders to achieve their ends. But they’re on the verge of making a dire miscalculation. For one of the cleverest tricks in a painter’s repertoire is the art of misdirection, and their eyes have been drawn far from the gravest danger.