Christopher Redmayne
6 total works
Araminta Jewell is one of the beauties of her day. Even her marriage to the staid and ugly Sir Martin Culthorpe has not discouraged her hordes of admirers.
It is during her first sitting for a portrait painted by the fashionable French artist Jean-Paul Villemot that the architect Christopher Redmayne meets the lovely Lady Culthorpe, although he has heard much about her through his brother Henry, one of her most ardent pursuers. Before the portrait can be finished and revealed, however, Sir Martin is murdered. Joining forces with his good friend, the puritan constable Jonathan Bale, Christopher embarks on a quest to discover the killer's real identity.
In his latest Restoration mystery, Edward Marston, the master of historical detail, reveals the dark and often debauched depths of seventeenth-century London society.
It is during her first sitting for a portrait painted by the fashionable French artist Jean-Paul Villemot that the architect Christopher Redmayne meets the lovely Lady Culthorpe, although he has heard much about her through his brother Henry, one of her most ardent pursuers. Before the portrait can be finished and revealed, however, Sir Martin is murdered. Joining forces with his good friend, the puritan constable Jonathan Bale, Christopher embarks on a quest to discover the killer's real identity.
In his latest Restoration mystery, Edward Marston, the master of historical detail, reveals the dark and often debauched depths of seventeenth-century London society.
This title presents an intriguing mystery that surrounds the king's mistress. London 1667. Acclaimed beauty and singer Harriet Gow is the star performer at the famous Theatre Royal on Drury Lane, as well as the favourite mistress of King Charles II. After seeing her perform, Christopher Redmayne is likewise captivated so he is intrigued when the King urgently summons him - it seems Harriet has been kidnapped. Redmayne, with the help of his friend Jonathan Bale is engaged to resolve this delicate affair and they quickly begin delving into Harriet's background. The facade of elegance soon begins to crumble in the face of their investigations, and just as Redmayne and Bale start to question whether Harriet is really the victim or the guilty party, a brutal murder provides the answer...
Christmas, 1669. In the grip of the coldest winter for years, the River Thames is frozen from bank to bank and London celebrates with a traditional frost fair held on its broad back. Revellers come from far and wide to enjoy the spectacle. Among the throng is ambitious young architect Christopher Redmayne. By chance he meets a good friend, Constable Jonathan Bale, attending with his family. As the adults talk, Bale s sons skate around them. But their competitive nature spells trouble onto thin ice and is in danger of crashing into the freezing water below. Christopher and Jonathan save the boy but make a chilling discovery the frozen corpse of a naked man embedded in the ice. Bale vows to investigate but Christopher sees no reason to involve himself further until his own brother Henry is accused of the murder and thrown in jail. Now Henry faces execution if Christopher cannot prove his innocence. The architect must risk all he holds dear, both professionally and personally, to uncover the truth.
It is London, 1670. Commissioned to design and build a new house for Francis Polegate, a merchant, Christopher Redmayne is pleased when the project is completed without a hitch. To celebrate the success of the venture, Polegate throws a party and invites Christopher as the guest of honour. But the party comes to an abrupt end when one of the guests is murdered upon leaving the house...With blood staining the doorstep of his new creation, Christopher can't help but feel involved. With the help of his good friend, the Puritan constable Jonathan Bale, and his dissolute brother Henry, Christopher vows to find the killer and bring him to justice. With suspicions running high and the life of someone close to him in peril, this is one of Christopher's most difficult cases as he discovers that politics really can be deadly.
When Sir Julius Cheever's son, a notorious rake, goes missing, and a blackmailer begins terrorising London's most dissolute fops, it seems plausible that the two events are connected. Divided by politics but united in a desire to see justice done, Christopher Redmayne and Jonathan Bale must combine forces once again.
But how can they hope to find those who exploit the scandal of others, when the victims themselves will do anything to maintain their anonymity? And what of Sir Julius's son? Most feel he must have been the victim of his own, debauched appetites, but a few talk of his repentance. So where is the repentant rake? And, with only lies, rumours and gossip to work with, can Redmayne and Bale ever hope to find him?
But how can they hope to find those who exploit the scandal of others, when the victims themselves will do anything to maintain their anonymity? And what of Sir Julius's son? Most feel he must have been the victim of his own, debauched appetites, but a few talk of his repentance. So where is the repentant rake? And, with only lies, rumours and gossip to work with, can Redmayne and Bale ever hope to find him?
A PERILOUS INVESTIGATION IN THE HEART OF LONDON RAVAGED BY THE GREAT FIRE
September 1666. Meeting in the ashes of a devastated London, Christopher Redmayne, an architect with Cavalier
instincts, and Jonathan Bale, a Puritan constable, are hardly kindred spirits. Redmayne dedicates himself to rebuilding the city that Bale believes was destroyed by its own inner corruption.
The two men are thrown together when they catch thieves who are stealing from the house that Redmayne has designed for Sir Ambrose Northcott. The foul murder of Sir Ambrose joins them again, albeit reluctantly, in a complex and dangerous investigation that takes them through the brothels and gaming houses of Restoration London, right to the heart of the King's court.
September 1666. Meeting in the ashes of a devastated London, Christopher Redmayne, an architect with Cavalier
instincts, and Jonathan Bale, a Puritan constable, are hardly kindred spirits. Redmayne dedicates himself to rebuilding the city that Bale believes was destroyed by its own inner corruption.
The two men are thrown together when they catch thieves who are stealing from the house that Redmayne has designed for Sir Ambrose Northcott. The foul murder of Sir Ambrose joins them again, albeit reluctantly, in a complex and dangerous investigation that takes them through the brothels and gaming houses of Restoration London, right to the heart of the King's court.