Film and Culture
3 total works
With the likes of Billy Wilder, Howard Hawks, Alfred Hitchcock, and Frank Tashlin revelling in "monkeys, babies, beautiful blondes, money, and cruelty" in their signature films of the 1950s, this seemingly conformist period turns out to be one of the most dynamic and original eras in Hollywood history. What distinguishes these directors is their candid and amusing exploration of cultural anxieties in carnival form. Quirky yet complex films such as Monkey Business, Gentlemen Prefer Blondes, Sunset Boulevard, The Trouble with Harry, and Will Success Spoil Rock Hunter? released and expressed the sexual repression and frustration we commonly associate with the decade. In clear and elegant prose, Sikov argues that these comedies are examples of popular cinema's uncanny capacity for cultural criticism. Highlighting Hawks's "skewed classicism, " Wilder's "gallows humor, " Hitchcock's "subversive morbidity, " and Tashlin's "shrill CinemaScopic" fragmentation, the author discusses the raucous "rebelliousness of the films these directors made in an era of widespread conservatism. Through satire and caricature, their films focus on the general anxiety - particularly over homosexuality, female sexuality, rock and roll, and Communism - that lay below the surface of homogeneity, progress, and domesticity in the period. Illustrated with over forty film stills, Laughing Hysterically captures the clout and glamour of such '50s icons as Marilyn Monroe, Jayne Mansfield, William Holden, and Jerry Lewis by insightful analysis of their influence on and expression of a burgeoning culture of consumption in the movies. The 1950s produced comedies "that looked and sounded like nothing had ever looked and sounded before." Laughing Hysterically delights readers with an exploration of this very special group of films, and in the process, accomplishes what all good criticism should do: it makes the reader want to see the movies again from a fresh perspective.
Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement.
Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader's understanding of the formal language and anatomy of film and the techniques of film analysis.
The second edition of this best-selling textbook adds two new chapters: "Film and Ideology," which covers how to read a film's political and social content, and other key topics in film theory, and "Film Studies in the Age of Digital Cinema," which explores the central problems of studying film when "film" itself is no longer the medium.
Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the reader's understanding of the formal language and anatomy of film and the techniques of film analysis.
The second edition of this best-selling textbook adds two new chapters: "Film and Ideology," which covers how to read a film's political and social content, and other key topics in film theory, and "Film Studies in the Age of Digital Cinema," which explores the central problems of studying film when "film" itself is no longer the medium.
Ed Sikov builds a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. Sikov primes the eye and mind in the special techniques of film analysis. His description of mise-en-scene helps readers grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. Film Studies works with any screening list and can be used within courses on film history, film theory, or popular culture. Straightforward explanations of core critical concepts, practical advice, and suggested assignments on particular technical, visual, and aesthetic aspects further anchor the reader's understanding of the formal language and anatomy of film.