Future Indefinite

by Noel Coward

Published December 1954
The definitive account, in his own words, of one of the most popular figures in British theatre. The second and concluding volume of Noel Coward's legendary autobiography includes Future Indefinite and the unfinished Past Unconditional. With his trademark wit, Coward delivers anecdotes about his travels in South America, Hollywood encounters with an array of contemporary stars and directors, and his later theatrical successes, including the Broadway triumph of Design For Living. The showbiz glamour aside, we also encounter a middle-aged man coming to terms with a world in disarray; his confused feelings towards the war and his own part in it exposing a more serious and thoughtful side to a performer and raconteur more usually associated with frivolity. Future Indefinite sees Coward transformed from a 'brazen odious little prodigy' into one of the most exuberant characters in British theatrical history. "His writing is superb, his precise languid drawl put down on the page" Daily Express

Present Indicative

by Noel Coward

Published 1 July 1974

"I was photographed naked on a cushion very early in life, an insane, toothless smile slitting my face and pleats of fat overlapping me like an ill-fitting overcoat. Later, at the age of two, I was photographed again. This time in a lace dress, leaning against a garden roller and laughing hysterically. If these photographs can be found they will adorn this book."


Thus begins the life story of one of the most celebrated characters in British theatrical history, in the first of Coward's autobiographies, first published in 1937. Displaying an early dedication to the theatre, Present Indicative hints at the success that would come to Coward as actor, playwright, novelist and performer. Each line is punctuated with his trademark effervescent wit, making this book a comic tour de force in it's own right, as well as a "must read" for anyone with an interest in the British stage.


"He is simply a phenomenon, and one that is unlikely to occur ever again in theatre history" Terence Rattigan