Dream I Tell You

by Helene Cixous

Published 1 October 2005
An account of, and commentary on, a collection of dreams by this much admired French novelist, playwright and theorist. The dream is both a rich poetic tapestry and a key document in understanding Cixous' writing practice. The 'You' of the title is Jacques Derrida to whom it is recounted. The book then embarks on a deconstruction of psychoanalysis, the field of fiction and literary production, subjectivity, sexual difference, and the question of friendship. Derrida's response to "Dream I Tell You" is his book Genius, Genealogies, Genres and the Genie, also to be published by Edinburgh University Press in The Frontiers of Theory series. This series brings together internationally respected figures to comment on and re-describe the state of theory in the twenty-first century. It takes stock of an ever-expanding field of knowledge and opens up possible new modes of inquiry within it, identifying new theoretical pathways, innovative thinking and productive motifs.

'I have often declared my admiration for Helene Cixous, for the person and for the work: immense, powerful, so multiple but unique in this century.' - Jacques Derrida 'Insister of Jacques Derrida, so expertly translated by Derrida's principal and most faithful translator, Peggy Kamuf, is an indispensable, daring, heartfelt and moving book...It presents a flawless, committed reading that is in the spirit of Derrida in its serious playfulness, its poetic sinuousness, its elegant reasoning and rhetoric while also being wholly in Cixous' own singular voice. This is not merely a study of Derrida, it is a haunting dialogue with his memory and with his phantom.' - Julian Wolfreys, Professor of Modern Literature and Culture, Loughborough University Helene Cixous is arguably the most insightful and unbridled reader of Jacques Derrida today. In Insister she brings a unique mixture of theoretical speculation, breath-taking textual explication and scholarly erudition to an extremely close reading of Derrida's work, always attentive to the details of his thinking.
At the same time, Insister is an extraordinarily poetic meditation, a work of literature and of mourning for Jacques Derrida the person, who was a close friend and accomplice of Cixous's from the beginning of their careers. Insister of Jacques Derrida joins Dream I Tell You by Helene Cixous and Geneses, Genealogies, Genres and Genius by Jacques Derrida, also published in The Frontiers of Theory series.

Volleys of Humanity

by Helene Cixous

Published 7 July 2011
This major new collection of texts by Helene Cixous brings together a range of important untranslated as well as four previously unpublished essays. These essays deal with literature, politics, history, Algeria, and the university and include works from Cixous' most significant contributions to literary criticism (Joyce, Kleist, Stendhal, Kafka, Shakespeare) as well as her contemporary writing on human rights and geo-politics. They are all informed by Cixous' unique gift for combining a writer's love of idiom and life with a scholar's acute deconstructive reading. These texts present an extended account of what Cixous calls here 'autobibliography' in which writing, theory, politics and life combine to open up the world through critical reading and self-reflection. 'I am on the side of life', says Cixous. These essays affirm Cixous' reputation as one of our greatest readers and sources of critical light in the world today. Key Features *Author is a leading French theorist and writer *Essays cover a wide range of topics and contemporary issues

Mother Homer is Dead

by Helene Cixous

Published 31 May 2018

Helene Cixous chronicles the last six months of her mother's life, transgressing the mother-daughter relation in the experience of dying

Mother Homer is Dead was written in the immediate aftermath of the death of the writer's mother in the 103rd year of her life. Eve Cixous, nee Klein, has figured centrally in her daughter's writing since the publication of Osnabruck (1999). Since then, Cixous's work has turned in ever-tighter orbits around the relation to her mother's life as it tapers down toward death. The writer discovers a guide book for the task written in her mother's own hand, where the narrator comes to realise that she will have been midwife to her mother's death. In French, this substitutability or reversibility of birth and death is facilitated by the noun accouchement, childbirth or labour, but which literally says 'bedding, putting or going to bed'. The reversal also concerns the positions of mother/child. What is happening requires the child to become the mother of the mother. How then must she hear her child's repeated cry of 'Help me, help me'? Is it help dying that she wants? And how to know this is indeed her desire? The narrator/writer, when in doubt, opts always for life, for more life for her mother, but to the point that many of those around her--family, friends, doctors, nurses--warn that she has lost touch with 'reality'. Perhaps never has the agony of letting go of the dying one been so unflinchingly rendered. Cixous's exquisitely poetic prose has also never been put to a more harrowing test of its inventive capacities.

Key Features

  • The first translation into English
  • Primary text by a celebrated French author and intellectual
  • Extraordinary account of the experience of death and coping with bereavement

Poetry in Painting

by Helene Cixous

Published 1 May 2012
The first book by Helene Cixous on painting and the contemporary arts. This collection gathers most of Helene Cixous' short texts devoted to contemporary artists, such as the painter Nancy Spero, the photographer Andres Serrano, the visual artists Roni Horn and Ernest Pignon-Ernest, the fashion designer Sonia Rykiel and the choreographer Karine Saporta, among others. The artworks belong to different genres and media: photography, painting, installations, film, choreography and fashion design. Nevertheless, Helene Cixous' texts all deal with some of her privileged themes: exile, war, violence (against women) and exclusion, as well as love, memory, beauty and tenderness. Neither art criticism nor critical essays, Helene Cixous responds to these artworks as a poet, reading them as if they were poems. Written between 1985 and 2010, most of these essays are unpublished in English, or published only in rare catalogues or art books.
Key Features *Combines poetic, theoretical and critical writing and Cixous' unique methodology *Addresses an important collection of contemporary artists, including Americans Nancy Spero and Roni Horn, the London artist Maria Chevska, the Cherokee artist Jeffrey Gibson, the filmmaker Ruth Bekermann, the French choreographer Karine Saporta and the French fashion designer Sonia Rykiel. *Treats a range of media and genre: photography, painting, installations, film, choreography, fashion design