Book 2

The Nasca

by Helaine Silverman and Donald Proulx

Published 10 January 2002
Ancient Nasca culture of the south coast of Peru is famous for its magnificent polychrome ceramics, textiles, and other works of art, as well as the enigmatic ground markings on the desert plain at Nasca. In the past two decades much has become known about the people who produced these fascinating works. This scholarly yet accessible book provides a penetrating examination of this important civilization. It traces the history of archaeological research on the south coast and reveals the misconceptions that became canonized in the scholarly literature. Based on years of fieldwork by the authors in the region, it provides a comprehensive and readable analysis of ancient Nasca society, examining Nasca social and political organization, religion, and art. The highlight for many readers will be the chapter on the Nazca Lines which debunks Erich von D'niken's contention that the desert markings were made by extraterrestrials. This well-illustrated, concise text will serve as a benchmark study of the Nasca people and culture for years to come.

The Nascas

by D M Browne and Helaine Silverman

Published 27 October 1993
The Nasca culture of the south coast of Peru is famous for its polychrome ceramics, textiles and other works of art that fill the world's museums and private collections, as well as the enigmatic ground markings on the desert plain at Nasca. But until the past decade little has been known about the people who produced these works. This scholarly study provides an examination of one of ancient Peru's major civilizations. It traces the history of archaeological fieldwork on the south coast, and reveals the misconceptions that became canonized in the scholarly literature. Then, based on the authors' years of fieldwork in the region as well as the contributions of their colleagues, the book provides a comprehensive analysis of ancient Nasca society, examining Nasca social and political organization, religion, art and the Nasca Lines.