Plays for Performance
7 total works
HEDDA. Indeed? [Looks at the address.] Why yes, it's addressed in Aunt Julia's hand. Well then, he has remained at Judge Brack's. And as for Eilert Lovborg--he is sitting, with vine leaves in his hair, reading his manuscript.
IbsenAIs last work concludes the series of autobiographical dramas begun with The Master Builder which deal with the aging rebel, despairing of life and racked with guilt, who experiences an ambiguous victory at the moment of death. Plays for Performance Series.
This is a play of stinging contemporaneity about religious and societal hypocrisy, guilt that feeds on innocence, the terror of the inevitable, and the battle between truth and darkness, freedom and constraint. It is a "Plays for Performance Series".
The most gripping of Ibsen's later, brooding self-portraits, The Master Builder explores the nature of a messianic hero pulled down from the heights to reside in the community of men, and now painfully laboring to drag himself up again. Thanks to Mr. Rudall's fresh translation, the language of the play is no longer archaic or Victorian.
Arthur Miller's version of Ibsen's most explosive play.
An Enemy of the People tells the story of an idealistic doctor, Stockmann, who discovers that the waters from which his native spa town draws its wealth are dangerously contaminated. As the citizens realise the financial implications, Stockmann comes under increasing pressure to keep silent.
This version of Ibsen's An Enemy of the People by Arthur Miller was first performed at Broadhurst Theatre, New York, in December 1950.
'Written as a warning against the "swelling pre fascist tide" of McCarthy's United States, Arthur Miller's adaptation emerges as a work that does magnificent service to Ibsen'
- The Times
'Miller does Ibsen proud. The dialogue is tough, sinewy and colloquial ' but the power ultimately rests with its gripping, beautifully constructed narrative'
- Telegraph
An Enemy of the People tells the story of an idealistic doctor, Stockmann, who discovers that the waters from which his native spa town draws its wealth are dangerously contaminated. As the citizens realise the financial implications, Stockmann comes under increasing pressure to keep silent.
This version of Ibsen's An Enemy of the People by Arthur Miller was first performed at Broadhurst Theatre, New York, in December 1950.
'Written as a warning against the "swelling pre fascist tide" of McCarthy's United States, Arthur Miller's adaptation emerges as a work that does magnificent service to Ibsen'
- The Times
'Miller does Ibsen proud. The dialogue is tough, sinewy and colloquial ' but the power ultimately rests with its gripping, beautifully constructed narrative'
- Telegraph
A Doll's House (1879), is a masterpiece of theatrical craft which, for the first time portrayed the tragic hypocrisy of Victorian middle class marriage on stage. The play ushered in a new social era and "exploded like a bomb into contemporary life". "Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field" (George Steiner)
Edited and translated by Kai Jurgensen and Robert Schenkkan, this edition of The Wild Duck for performance and study has been translated by John Simon and features a sixteen-page introduction, a list of principal dates in the life of Ibsen, and a selected bibliography.