Edinburgh Edition of the Waverley Novels
4 primary works • 29 total works
Set at the end of the reign of James VI and I, The Fortunes of Nigel sits among Walter Scott's richest creations in political insight, range of characterisation and linguistic virtuosity. Well versed in the political literature of the period, Scott drew a detailed picture of London in the early 17th century while charting the effects of Scottish influx into the English capital: the ambitions and fears of the incomers and the suspicion they aroused. The complex web of political (and sexual) intrigue, and especially of all-important financial dealings and double-dealings, is traced with a master's hand. No Scott novel has a more memorable cast of characters. King James heads them, with his childish irresponsibility and elusive character: a would-be Solomon and father of his country, theological disputant, prurient bisexual. But not far behind are jeweller George Heriot, clockmaker Davie Ramsay, courtier Sir Mungo Malagrowther, servant Richie Moniplies and many vivid minor characters. Steeped in Jacobean drama, this tale shows Scott revelling in the linguistic riches of the age.Previous editions have obscured his virtuosity (as seen in a dazzlingly proto-Joycean monologue by a Greenwich barber), but painstaking examination of the manuscript and proofs for this new edition allows the full vigour of Scott's achievement to be savoured for the first time.
Count Robert of Paris, condemned by Scott's printer as 'altogether a failure', was later prepared for publication by his son-in-law, J. G. Lockhart , and his publisher Robert Cadell. What appeared was a bowdlerised, tamed and tidied version of what Scott had written and dictated. This edition, the first to have returned to the manuscript and to the many surviving proofs, realises Scott's original intentions. Scott's last full novel has many roughnesses, but it also challenges the susceptibilities of his readers more directly than any other and in that lay its fault in the eyes of the lesser men who condemned it.
No. 4B
The Tale of Old Mortality describes the lives - and often violent deaths - the hopes, and the struggles, of the Covenanters in late seventeenth-century Scotland. A tale of extremism, bigotry and cruelty, it is redeemed by its characters' courage and loyalty, and their passionate belief in religious and civil liberty. Considered to be one of the greatest novels of the nineteenth century, its influence pervades European writing from Stendhal to Tolstoy.
Against the background of Montrose's campaign of 1644-5, this spirited novel centres on one of Scott's most memorable creations - Sir Dugald Dalgetty of Drumthwacket. This hard-headed Aberdonian contrasts tellingly with the weird and passionate Highland feud in which he becomes perilously entangled, as the narrative moves from Dalgetty's unflinching encounter with the Duke of Argyll, to his dramatic escape from Inveraray Castle, to the battle of Inverlochy. "The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary ! The editorial essays are histories of the respective texts.
Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously." Times Literary Supplement
Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously." Times Literary Supplement
Castle Dangerous is the realisation of a thirty-year old project of Scott's to retell a story found in Barbour's Brus. Set in the early fourteenth century during the Scottish Wars of Independence, an English knight for a love wager commits himself to defend Douglas Castle against Scottish attempts to retake it. The ballad-like story embraces intriguing elements including national rivalry, and the idealisation and betrayal of love. The Douglas area, seen as an almost surrealist landscape of ravines, trenches, and tombs, and in abysmal weather, forms an appropriate setting for an impressively bleak narrative.
Anne of Geierstein (1829) is set in Central Europe in the fifteenth century, but it is a remarkably modern novel, for the central issues are the political instability and violence that arise from the mix of peoples and the fluidity of European boundaries. With Anne of Geierstein Scott concludes the unfinished historical business of Quentin Durward, working on a larger canvas with broader brush-strokes and generally with more sombre colours. The novel illustrates the darkening of Scott's historical vision in the final part of his career. It is also a remarkable manifestation of the way in which the scope of his imaginative vision continued to expand even as his physical powers declined. This new edition is based upon the first edition but is corrected by recovering from the manuscript about 2000 readings lost in some cases by misreadings of what Scott had written, but in many others from the assumption that those who processed Scott's text knew better than he did. This is the first modern critical edition of what was in its day a remarkably successful novel.
This 30-volume set contains all of the novels from the Edinburgh Edition plus 2 volumes on the Magnum Opus Notes and Introductions. Going back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.
The Magnum Opus edition, as it was familiarly know, defined the final shape of
Scott's fiction for the 19th century. Scott's introductions are semi-autobiographical essays in which he muses on his own art and the circumstances that gave rise to each of his works of fiction. His notes illustrate his text, sometimes with simple glosses, sometimes by quotations from historical sources, but most strikingly with further narratives which parallel rather than explain incidents and situations in the fiction.
Scott's fiction for the 19th century. Scott's introductions are semi-autobiographical essays in which he muses on his own art and the circumstances that gave rise to each of his works of fiction. His notes illustrate his text, sometimes with simple glosses, sometimes by quotations from historical sources, but most strikingly with further narratives which parallel rather than explain incidents and situations in the fiction.
Scott wrote short stories throughout his career, some included within novels, others published separately in periodicals. This collection of the stories from periodicals extends from his earliest published fiction to his last and comprises pieces from The Edinburgh Annual Register (1811), The Sale-Room (1817), Blackwood's Edinburgh Magazine (1817-1818) and The Keepsake (1828-1831). Only three of these stories have been regularly reprinted; the other five are here made readily available for the first time. Publication in periodicals offered Scott new opportunities to explore the potential of the short story form and to demonstrate his enormous versatility as a writer of fiction.