Walter Benjamin

by Graeme Gilloch

Published 6 December 2001
The works of Walter Benjamin (1892--1940) are widely acclaimed as being among the most original and provocative writings of twentieth--century critical thought, and have become required reading for scholars and students in a range of academic disciplines. This book provides a lucid introduction to Benjamina s oeuvre through a close and sensitive reading not only of his major studies, but also of some of his less familiar essays and fragments. Gilloch offers an original interpretation of, and fresh insights into, the continuities between Benjamina s always demanding and seemingly disparate texts. Gillocha s book will be of particular interest to students and scholars in social theory, literary theory, cultural and media studies and urban studies who are seeking a sophisticated yet readable overview of Benjamina s work. It will also prove rewarding reading for those already well--versed in Benjaminian thought.

Siegfried Kracauer

by Graeme Gilloch

Published 13 February 2015

This major new book offers a much-needed introduction to the work of Siegfried Kracauer, one of the main intellectual figures in the orbit of the Frankfurt School of Critical Theory. It is part of a timely revival and reappraisal of his unique contribution to our critical understanding of modernity, the interrogation of mass culture, and the recognition of both the dynamism and diminution of human experience in the hustle and bustle of the contemporary metropolis. In stressing the extraordinary variety of Kracauer’s writings (from scholarly philosophical treatises to journalistic fragments, from comic novels to classified reports) and the dazzling diversity of his themes (from science and urban architectural visions to slapstick and dancing girls), this insightful book reveals his fundamental and formative influence upon Critical Theory and argues for his vital relevance for cultural analysis today.

Kracauer’s work is distinguished by an acute sensitivity to the ‘surface manifestations’ of popular culture and a witty, eminently readable literary style. In exploring and making accessible the work of this remarkable thinker, this book will be indispensable for scholars and students working in many disciplines and interdisciplinary fields: sociology and social theory; film, media and cultural studies; urban studies, cultural geography and architectural theory; philosophy and Critical Theory.